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Publications and Documents
Bibliography
A.
General Works on Twentieth-Century
Russian Art
1.
I. Grabar et al., eds.: Istoriia
russkogo iskusstva, 16 vols. M: Nauka, 1953-69,
especially Volumes 10 (Books 1 and 2) and 11.
2.
C. Gray: The Great Experiment.
Russian Art 1863-1922. London:
Thames and Hudson, 1962. Reissued
as The Russian Experiment in Art: 1863-1922.
London: Thames and Hudson,
1970. Revised edition, London:
Thames and Hudson, 1986.
3.
A. Leonov. ed.: Russkoe dekorativnoe iskusstvo,
3 vols. M:
Iskusstvo, 1965. Volume 3.
4.
T. Andersen: Moderne russisk kunst 1910-1930.
Copenhagen: Borgen, 1967.
5.
A. Sidorov: Russkaia grafika nachala XX veka.
M:
Iskusstvo, 1969.
6.
J. Billington, ed.: The Horizon
Book of the Arts of Russia. New
York: American Heritage, 1970.
7.
A. Galushkina et al., eds.: Agitatsionno-massovoe
iskusstvo pervykh let Oktiabria. M:
Iskusstvo, 1971.
8.
V. Marcadé: Le Renouveau de l’art pictural russe. Lausanne: L’Age
d’Homme, 1971.
9.
L. Zinger et al., eds.: Istoriia
iskusstva narodov SSSR,
8 vols. M: Izobrazitelnoe iskusstvo,
1971. Volume 7.
10.
S. Bojko: New Graphic Design in
Revolutionary Russia..
New York: Praeger, 1972.
11.
V. Petrov: “Mir iskusstva.” M:
Izobrazitelnoe iskusstvo, 1975.
12.
J. Bowlt, ed.: Russian Art of the
Avant-Garde. Theory and Criticism
1902-1934.. New York:
Viking, 1976; second edition: London:
Thames and Hudson, 1988; Japanese translation: Tokyo:
Shoten, 1988.
13.
J. Bowlt: Russian Art 1875-1975. A Collection of Essays.
New York: MSS.
1976.
14.
J. Bowlt, ed.: Soviet
Constructivism. Special issue
of Soviet Union., Pittsburgh,
Vol. 3. Part 2, 1976.
15.
N. Khardzhiev: K istorii russkogo
avangarda. Stockholm:
Almqvist and Wiksell, 1976.
16.
V. Shleev: Revoliutsiia
1905-07 godov i izobrazitelnoe iskusstvo (four
volumes), M: Izobrazitelnoe iskusstvo, 1977-89. Vol. 1 (1977) on St. Petersburg; Vol. 2 (1978) on Moscow and
the Russian provinces; Vol. 3 (1981) on the Ukraine and Moldavia; Vol. 4 (1989)
on Latvia and Estonia.
17.
G. Harrison: Ex Libris 6. Constructivism
and Futurism in Russia and Other.
New York: TJ Art, 1977.
18.
J. Kennedy: The “Mir iskusstva”
Group and Russian Art, 1898-1912. New
York: Garland, 1977.
19.
M. Kolpakchi, ed.: Skulptura i
risunski skulptorov kontsa XIX-nachala XX veka.
M: Sovetskii khudozhnik,
1977.
20.
N. Lapshina: Mir iskusstva,. M:
Iskusstvo, 1977.
21.
S. Compton: The World Backwards.
Russian Futurist Books 1912-16. London:
The British Library, 1978.
22.
P. Dragone et al., eds.: Arte e
rivoluzione. Documenti delle
avanguardie tedesche e sovietiche 1918-1932.
Milan:
Unicopli, 1978.
23.
L. Shadowa: Suche und Experiment. Russische und sowjetische Kunst 1910 bis 1930.
Dresden: VEB Kunst, 1978.
24.
J. Bowlt: The Silver Age. Russian
Art of the Early Twentieth Century and the “World of Art” Group.
Newtonville: ORP,
1979.
25.
H. Gassner and E. Gillen: Zwischen
Revolutionskunst und Sozialistischen Realismus.
Dokumente und Kommentare. Kunstdebatten
in der Sowjetunion von 1917 bis 1934. Cologne:
DuMont, 1979.
26.
M. Guerman: Art of the October
Revolution. New York:
Abrams, 1979. Editions also
in Russian, German and French.
27.
J. Milner: Russian Revolutionary
Art.
London: Oresko, 1979.
28.
N. Nilsson, ed.: Art, Society,
Revolution. Russia 1917-1921.
Stockholm: Almqvist and
Wiksell, 1979.
29.
R. Williams: Russian Art and
American Money. Cambridge,
Mass.: Harvard University Press, 1980.
30.
R. Auty and D. Obolensky, eds.: Companion
to Russian Studies. 3.
An Introduction to Russian Art and Architecture.
Cambridge: Cambridge
University Press, 1980.
31.
J. Bowlt, ed.: Soviet Art of the
1920s. Special issue of Soviet Union, Tempe,
Vol. 7, Parts 1-2, 1980.
32.
S. Massie: Land of the Firebird. The
Beauty of Old Russia. New York:
Simon and Schuster, 1980.
33.
M. Milotvorskaia, ed.: Istoriia russkogo iskusstva. 2
vols. M:
Iskusstvo, 1981. Volume 2, Book 2.
34.
A. Rudenstine, S. F. Starr, and G. Costakis, eds.: Russian Avant-Garde Art: The
George Costakis Collection. New
York: Abrams, 1981.
35.
H. McCooey and M. Binyan: “Russian
Art: The Shock of the Old” in The
Sunday Times Magazine, London, 11 October 1981, pp. 68-75.
36. A. Fedotova:
Zhivopis pervoi piatiletki. L:
Khudozhnik RSFSR, 1981.
37.
A. Flaker and D. Ugresic´, eds.: Knjizevnost
avangarda revolucija. Zagreb:
University of Zagreb, 1981.
38.
R. Grubel: Russische Konstruktivismus. Wiesbaden:
Harrassowitz, 1981.
39.
A. Nakov: Abstrait/Concret. Art Non-Objectif
Russe et Polonais. Paris:
Editions de Minuit, 1981.
40.
M. Alpatow: Über Westeuropäische und Russische Kunst. Dresden: VEB
Kunst, 1982.
41.
M. Davydova et al., eds.: Iskusstvo
sovetskogo soiuza. L:
Aurora, 1982.
42.
L. Denisova and N. Bespalov, eds.: Russkaia
sovetskaia khudozhestvennaia kritika (1917-1941).
M: Izobrazitelnoe iskusstvo,
1982.
43.
A. Ermakov and I. Sats, eds.: A.
V. Lunacharsky ob iskusstve. 2
vols. M: Iskusstvo, 1982.
44.
N. Jernakoff, ed.: On Russian Art.
Special issue of Transactions of the Association of Russian-American Scholars in USA/Zapiski
Russkoi Akademicheskoi gruppy v SShA, New
York, 1982, Vol. 15.
45.
V. Kemenov: The USSR Academy of
Arts. L: Aurora,
1982.
46.
N. Khardzhiev and V. Trenin: Culture
Poètique de Maiakovski. Lausanne:
L’Age d’Homme, 1982. (French
translation of the 1976 Soviet edition).
47.
L. Magarotto et al., eds.: L’Avanguardia
a Tiflis. Venice:
Università degli Studi, 1982.
48.
V. Pushkarev: Akvareli i risunki v
Gosudarstvennom Russkom muzee. XVIII-nachalo XX veka. M: Izobrazitelnoe iskusstvo,
1982.
49.
N. Rozanova: Moskovskaia knizhnaia ksilografiia 1920-30-ykh godov.
M:
Kniga, 1982.
50.
E. Goheen, ed.: Constructivism and
the Geometric Tradition. Special
issue of The Nelson-Atkins Museum of Art
Bulletin. Kansas City, 1982,
October.
51.
T. Omuka, ed.: Russian Art
1900-1930. Special issue of Art Vivant. Tokyo,
1982, No. 7-8.
52.
C. Bauermeister and N. Hertling, ed.: Sieg
über die Sonne. Aspekte russischer Kunst zu Beginn des 20. Jahrhunderts.
W. Berlin: Frolich and
Kaufmann, 1983.
53.
S. Chan-Magomedow: Pioniere der sowjetischen Architektur. Dresden: VEB
Kunst, 1983. English translation: S. Khan-Magomedov: Pioneers of Soviet Architecture. New
York: Rizzoli, 1987.
Russian version: Arkhitektura
sovetskogo avangarda, M:
Stroiizdat, 1996, (two volumes).
54.
C. Cooke, ed.: Russian Avant-Garde.
Art and Architecture. Special
issue of Architectural Design.
London, 1983, vol. 53.
55.
A. Gofman et al., eds.: Special issue of Tekhnicheskaia
estetika (VNIITE), M, 1983, No. 41 devoted to issues of design in the 1920s.
56.
S. Gollerbakh: Zametki khudozhnika. London:
Overseas Publications Exchange, 1983.
57.
B. Kean: All the Empty Palaces.
London: Barrie and Jenkins,
1983.
58.
V. Lapshin: Khudozhestvennaia zhizn
Moskvy i Petrograda v 1917 godu. M:
Sovetskii khudozhnik, 1983.
59.
C. Lodder: Russian Constructivism.
New Haven: Yale University,
1983.
60.
J. Milner: Vladimir Tatlin and the
Russian Avant-Garde. New Haven:
Yale University, 1983.
61.
A. Tellini, ed.: Il ’ja Erenburg. Eppur
si muove! Per una internazionale costruttivista. Rome: Officina
Edizioni, 1983.
62.
V. Tolstoi: U istokov sovetskogo monumentalnogo iskusstva 1917-1923.
M: Izobrazitelnoe iskusstvo,
1983.
63.
J. Willett: L’Avanguardia Europea.
Anni venti a Mosca e a Weimar. Rome:
Editori Riuniti, 1983. (A
translated version of The New Sobriety.
London: Thames and Hudson, 1978).
64.
B. Zelinsky: Russische Avantgarde, 1907-1921, Vom Primitivismus zum Konstruktivismus.
Bonn:
Grundmann, 1983.
65.
J. Bowlt et al.: Mir iskusstva. Rome:
E/O, 1984.
66.
G. Janecek: The Look of Russian
Literature. Avant-Garde Experiments 1900-1930.
Princeton: Princeton
University, 1984.
67.
N. Misler: Pavel Florenskij: La
prospettiva rovesciata e altri scritti.
Rome: La Casa del Libro,
1984.
68.
N. Misler and J. Bowlt: Pavel Filonov. A
Hero and His Fate.
Austin:
Silvergirl, 1984.
69.
A. Nakov: L’Avant-Garde Russe. Paris:
Hazan, 1984.
70.
V. Vasilenko et al., eds.: Sovetskoe
dekorativnoe iskusstvo 1917-1945. M:
Iskusstvo, 1984.
71.
C. Leclanche-Boule: Typographies, Photomontages Constructivistes.
Paris: Papyrus, 1984.
72.
V. Tolstoi, ed.: 1917-1932.
Agitatsionno-massovoe iskusstvo. Oformlenie prazdnestv. M: Iskusstvo,
1984 (2 vols.).
73.
J. Kowtun: Die Wiedergeburt der kunstlerischer Druckgraphik.
Dresden: VEB Kunst, 1984.
74.
A. Flaker and D. Ugresic: Pojmovnik
ruske avangarde. Zagreb:
Graficki zavod Hrvatske, 1984.
75.
A. Flaker: Ruska avangarda. Zagreb:
Globus, 1984.
76.
T. Andersen, ed.: Louisiana Revy. Humlebaek,
1985, September. Entire issue
devoted to the Russian avant-garde.
77.
M. Mudrak: The New Generation and
Artistic Modernism in the Ukraine. Ann Arbor: UMI,
1986.
78.
A. Erjavec et al., eds.: Slowenische
Historische Avantgarde/Slovene Historical Avant-Garde.
Ljubljana:
Aesthetics Society, 1986.
79.
A. Erjavec, ed.: Soobstoj
avantgard/Coexistence among the Avantgardes. Ljubljana:
Drustvo za estetiko, 1986 (2 volumes).
80.
S. Gohr: Museum Ludwig. Illustrated Catalog.
New York: Prestel/Neues,
1986.
81.
J. Stapanian: Mayakovsky’s Cubo-Futurist
Vision. Houston:
Rice, 1986.
82.
Rassegna sovietica, Rome, 1986,
No. 2, March-April. Part of the
issue is devoted to the Russian avant-garde with essays on Khlebnikov, Rodchenko,
Kandinsky, Florensky, Yakulov et al.
83.
A. Turowski: Existe-t-il un art de l’Europe de l’est?. Paris: Les
Editeurs de la Villette, 1986.
84.
D. Elliott: New Worlds. Russian Art
and Society 1900-1937. London:
Thames and Hudson, 1986.
85.
V. Kostin: Sredi khudozhnikov. M:
Sovetskii khudozhnik, 1986.
86.
M. Anikst, ed.: Soviet Graphic
Design of the Twenties. New
York: Abbeville, 1987.
87.
A. Bird: A History of Russian
Painting. Oxford:
Phaidon, 1987.
88.
J. Bowlt, ed.: Journal of
Decorative and Propaganda Arts. Miami,
1987, No. 5. Special issue devoted
to Russian design 1880-1980.
89.
E. Kovtun et al.: Sovetskoe iskusstvo 20-30-kh godov. L:
Iskusstvo, 1988.
90.
M. Guerman: Soviet Art 1920s-1930s.
New York: Abrams, 1988.
91.
E. Borisova and G. Sternin: Russian
Art Nouveau. New York:
Rizzoli, 1988.
92.
S. Fauchereau et al.: Moscow 1900-1930. New
York: Rizzoli, 1988.
93.
A. Flaker: Nomadi ljepote. Zagreb: Graficki
zavod Hrvatske, 1988.
94.
J. Bowlt, ed.: Journal of
Decorative and Propaganda Arts. Miami,
1989, No. 11. Special issue devoted
to Russian design 1880-1980.
95.
K. Kuzminsky et al.: Zabytyi avangard. Vienna:
Kohlweis, 1989.
96.
J.-C. Marcadé:
Le Futurisme Russe. Paris:
Dessain et Tolra, 1989.
97.
N. Beliaeva et al., eds.: Sergei
Diagilev i khudozhestvennaia kultura XIX-XX vv.
Perm: Permskoe knizhnoe
izdatelstvo, 1989.
98.
Constructivisme. Special issue of Ligeia.
Paris: 1989, No. 5-6.
99.
N. Misler: Avanguardie russe.
Roma: Giunti, 1989.
100.
A. Brambatti et al.: Grafica Art Nouveau nelle riviste russe. Florence:
Cantini, 1989.
101.
P. Railing: From Science to Systems
of Art. On Russian Abstract Art and
Language 1910-1920. Forest Row,
England: Artists Bookworks, 1989.
102.
V. Manine: L’Art Russe 1900-1935. Tendances et Mouvements.
Paris: Sers, 1989.
103.
E. Kovtun et al: Avangard, ostanovlennyi na begu. L: Avrora, 1989.
104.
E. Kovtun: Russkaia futuristicheskaia kniga. M:
Kniga, 1989.
105.
V. Tolstoi et al.: Art décoratif soviètique 1917-1937.
Paris: Editions du
Regard, 1989.
106.
A. Flaker, ed.: Glossarium der russischen Avantgarde.
Graz: Droschl, 1989.
107.
N. Misler and L. Tonini, eds.: Tradizione
artigianale e rivoluzione industriale in Russia tra '800 e '900.
Special issue of Ricerche di Storia dell’arte. Rome, 1989, No. 39.
108.
D. Sarabianov: Russian Art. From
Neo-Classicism to the Avant-Garde. London:
Thames and Hudson, 1990.
109.
M. Yablonskaya: Women Artists of
Russia’s New Age 1900-1935. London:
Thames and Hudson, 1990.
110.
V. Tolstoy, I. Bibikova, C. Cooke: Street
Art of the Revolution. London:
Thames and Hudson, 1990.
111.
L. Cerwinske: Russian Imperial
Style. London:
Barrie and Jenkins, 1990.
112.
O. Kuprin et al.: V chetyre chasa popoludni. L:
LenArt, 1990.
113.
V. Tolstoy, I. Bibikova, C. Cooke: Street
Art of the Revolution. London:
Thames and Hudson, 1990.
114.
M. Anikst and E. Chernevich: Russian
Graphic Design 1880-1917. New
York: Abbeville, 1990.
115.
J. Bowlt: Khudozhniki
russkogo teatra 1880-1930,. Sobranie
Nikity i Niny Lobanovykh-Rostovskikh. M:
Iskusstvo, 1990.
116.
V. Ruban: Zabytye
imena. K: Naukova duma, 1990.
117.
G. Conio, ed.: L’Avant-garde russe et la synthèse des arts.
Lausanne: L’Age d’homme,
1990.
118.
L. Lang: Konstruktivismus
und Buchkunst. Leipzig:
Edition Leipzig, 1990.
119.
A. Turowski: Wielka utopia awangardy. Warsaw: Panstwowe
Wydawnictwo Naukowe, 1990.
120.
E. Borisova and G. Sternin: Russkii
modern. M:
Sovetskii khudozhniuk, 1991.
121.
S. Chan-Magomedov: Vkhutemas-Vkhutein. Paris:
Sers, 1991.
122.
E. Kirichenko: The
Russian Style. London:
Laurence King, 1991.
123.
V. Petrov and A. Kamensky: The
World of Art Movement. L: Aurora, 1991.
124.
J. Kovtun: Russische Avantgarde. Munich: Neimanis,
1991. French edition: E. Kovtoune: Avant-Garde
Russe Années 1920-1930. Bournemoth:
Parkstone,1996.
125.
Avant
Garde. USSR. Special
issue of the journal Avant Garde. Amsterdam,
1991, No, 5-6.
126.
E. Clowes et al., eds.: Between
Tsar and People. Princeton:
Princeton University Press, 1991.
127.
W. Brumfield: The
Origins of Modernism in Russian Architecture.
Berkeley: University of
California Press, 1991.
128.
E. Kirichenko and M. Anikst: Russian
Design and the Fine Arts 1750-1917. New
York: Abrams, 1991.
129.
V. Marcadé: L’Art d’Ukraine. Lausanne:
L’Age d’Homme, 1991.
130.
L. Magarotto et al.: Zaumnyi futurizm i dadaizm v russkoi kulture. Bern: Lang,
1991.
131.
V. Quilici: Il Costruttivismo.
Rome:
Laterza, 1991.
132.
A. Povelikhina and E. Kovtun: Russian
Painted Shop Signs and Avant-Garde Artists. L: Aurora, 1991.
133.
M. Allenov et al.: L’Art Russe. Paris:
Citadel, 1991.
134.
E. Kuznecov: L’Illustrazione
del libro per bambini e l’avanguardia russa. Florence: Cantini,
1991.
135.
B. Taylor: Art
and Literature under the Bolsheviks. London:
Pluto, 1991.
136.
J. Fraser and T. Shima: Musée Imaginaire 1. 1920-1930. Tokyo:
Libro-port, 1991.
137.
D. Lichacev: Le Radici dell’arte russa. Milan:
Fabbri, 1992.
138.
A. Sarabianov and N. Gurianova:
Neizvestnyi avangard. M:
Sovetskii khudozhnik, 1992.
139.
N. Lobanov-Rostovsky et al.: Rosia
1850-1910. Athens:
Aprilioz, 1992.
140.
M. Bown and B. Taylor: Art
of the Soviets: Painting, Sculpture and Architecture in a One-Party State,
1917-1922. Manchester:
Manchester University Press, 1992.
141.
G. Roman and V. Marquardt,
eds.: The Avant-Garde Frontier.
Russia Meets the West, 1910-1930. Gainesville,
Florida: University Press of
Florida, 1992.
142.
C. Marsh and W. Roslyn, eds.: Russian
and Yugoslav Culture in the Age of Modernism.
Nottingham: Astra, 1992.
143.
B. Brodskij: Tesori vietati. Florence: Ponte
alle Grazie, 1992.
144.
J. Howard: The Union of Youth. Manchester:
Manchester University Press, 1992.
145.
N. Dumova: Moskovskie
metsenaty. M:
Molodaia gvardiia, 1992.
146.
S. Compton: Russian
Avant-Garde Books 1917-1934. Cambridge,
Mass.: MIT Press, 1992.
147.
C. Burrus: Les Collectioneurs Russes. Paris:
Chêne, 1992 (English edition, New York:
Rizzoli, 1994).
148.
V. Turchin: Po labirintam avangarda. M: MGU, 1993.
149.
V. Cherepov et al.: Avangardnye napravleniia v sovetskom izobrazitelnom iskusstve.
Ekaterinburg:
Ural University, 1993.
150.
R. Vroon and J. Malmstad: Kultura
russkogo modernizma. Los
Angeles: UCLA Slavic Studies, 1993, Vol. 1.
151.
V. Arwas, ed.: The
Great Russian Utopia. London:
Art and Design, 1993.
152.
M. C. Bown and B. Taylor,
eds.: Art of the Soviets. Manchester:
Manchester University Press, 1993.
153.
V. Abashev, comp.: Vremia
Diaghileva. Universalii
Serebrianogo veka. Perm:
Arabesk, 1993.
154.
J. Bowlt and N. Misler: The
Thyssen-Bornemisza Collection: Twentieth Century Russian and East European
Painting. London: Wilson,
1993.
155.
J. Bowlt and B. Hernad: Aus vollem Halse. Russische
Buchillustration und Typographie 1900-1930.
Munich: Prestel, 1993.
156.
N. Thun: Majakowski Maler und
Dichter. Tübingen:
Francke, 1993.
157.
S. Fitzpatrick: The
Cultural Front: Power and Culture in Revolutionary Russia. Ithaca: Cornell
University Press, 1993.
158.
W. Brumfield: History of Russian Architecture . Cambridge, England:
Cambridge University Press, 1993.
159.
A. Kantsedikas (series
editor): Shedevry evreiskogo iskusstva.
Moscow: Image, 1993
(five volumes on the painting, architecture, and applied arts of the Jewish
people).
160.
R. Messina: Majakovskij Artista 1893-1993.
Rieti, Italy: Biblioteca
Paroniana, 1993.
161.
J. Norman, ed.: New
Perspectives on Russian and Soviet Artistic Culture. New
York: St. Martin’s Press, 1993.
162.
E. Moch-Bickert: Kolombina desiatykh godov. Paris-St. Petersburg: Grzhebin, 1993.
163.
N. Borisovkaia, ed.: Proizvedeniia russkikh i zapadnoevropeiskikh masterov XVI-nachala XX
veka iz sobraniia I.S. Zilbershteina. M:
Pushkin Museum of Fine Arts/Rodina, 1993.
164.
S. Khan-Magomedov: Zhivskulptarkh.
M:
Architectura, 1993 (2 vols.).
165.
D. Sarabianov: Istoriia russkogo iskusstva kontsa XIX-nachala veka. M: Moskovskii universitet, 1993.
166.
D. Sarabianov et al.: Iskusstvo avangarda,. Materialy
mezhdunarodnoi konferentsii 10-11 dekabria, 1992 g.. Ufa: Vostok,1993.
167.
E. Kowtun: Sangesi. Die russische
Avantgarde. Chlebnikow und seine Maler. Zurich: Stemmle,
1993.
168.
L. Boersma: 0.10. The
Last Futurist Exhibition of Painting. Rotterdam: Zero
Ten Publshers, 1994.
169.
G. Zaitsev: Iskusstvo XX veka. Vzgliad
na razvitie. Ekaterinburg:
Ural University, 1994.
170.
N. Gurianova: Rozanova,
Filonov, Tatlin, Goncharova, Larionov, Malevich, Kulbin. M: Avant-Garde; and Paris: La Hune, 1994.
171.
S. Khan-Magomedov: Inkhuk i rannii konstruktivizm. M: Architectura, 1994.
172.
I. Ilina: Istoriia
iskusstv. Otechestvennoe
iskusstvo. M: Vysshaia shkola, 1994.
173.
P. Roberts: George
Costakis: A Russian Life in Art. New
York: Braziller, 1994.
174.
V. Ivanov et al., eds.: Russkii avangard v krugu evropeiskoi kultury. M: Radiks, 1994.
175.
I. Danilova, ed.: Dialog kultur. M:
Pushkin Museum of Fine Arts, 1994, No. 25.
176.
P. Cate et al.:
The George Riabov Collection of Russian Art. New
Brunswick: Jane Voorhees Zimmerli Art Museum, 1994.
177.
P. Hellyer, ed.: A Catalogue of
Russian Avant-Garde Books 1912-1934. London: The British Library, 1994.
178.
E. Sidorina: Skvoz ves dvadtsatyi
vek. M: Russkii mir, 1994.
179.
J. Bowlt: Khudozhniki
russkogo teatra. Katalog -rezone.
M: Iskusstvo, 1994. This
is the catalog raisonné of the Lobanov-Rostovsky collection of Russian stage
designs.
180.
N. Udaltsova: Zhizn russkoi kubistki. M:
RA, 1994.
181.
R. Anderson and P. Debreczeny:
Russian Narrative and Visual Art.
Varieties of Seeing. Gainesville:
University Press of Florida, 1994.
182.
A. Rusakova: Simvolizm v russkoi zhivopisi
19-nachala 20 vv.. M:
Iskusstvo, 1995.
183.
Experiment.
Los Angeles, 1995, No. 1 (devoted to
the Russian avant-garde); 1996, No. 2 (devoted to experimental dance of the
1920s); 1997, No. 3 (devoted to the Russian Academy of Artistic Sciences); 1998,
No. 4 (devoted to the Apocalypse).
184.
V. Rakitin and A. Sarabianov,
eds.: Alexei Kruchenykh.
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A.-B. Nakov: Bespredmetnyi mir. M:
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M. Chegodaeva: Iskusstvo, kotoroe
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A. Ivanov and A. Petrova, eds.: Azbuka
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B
K. Catalogs
of Exhibitions Relating to Modern Russian Art
1.
Exposition Russe d'Art Ancien et
Moderne. Paris:
Chez Devambez, 1921.
2.
Le Monde Artiste.
Paris: Galerie Dancy,
1921.
3.
Die Erste russische
Kunstausstellung. Berlin:
Galerie Van Diemen, 1922.
4.
Exhibition of Russian Painting and
Sculpture. Brooklyn:
Brooklyn Museum, 1923.
5.
Russian Art Exhibition.
New York: Grand Central Palace, 1924.
6.
L'Exposition Internationale des
Arts Décoratifs et Industriels Modernes (Section russe:
Art décoratif et industriel de l'URSS).
Paris, 1925.
7.
Le Monde Artiste.
Paris: Galérie Bernheim
Jeune, 1927.
8.
Art Russe.
Brussels: Palais des
Beaux-Arts, 1928.
9.
Exposition d'Art Russe.
Paris: Galerie La
Renaissance, 1932.
10.
Exhibition of Russian Art.
London: Belgrave Square,
1935.
11.
Russian Painting 1700-1917.
London: Society for
Cultural Relations with the USSR, 1948.
12.
Two Decades of Experiment in
Russian Art (1902-1922). London:
Grosvenor Gallery, 1962.
13.
Il Contributo Russo alle
Avanguardie Plastiche. Milan:
Gallerie del Levante, 1964.
14.
Vystavka kartin, risunkov i
akvarelei russkikh khudozhnikov iz sobraniia Ya. E. Rubinshteina.
Tallin:
State Art Museum of Estonia, 1966.
15.
Agitatsionno-massovoe iskusstvo
pervykh let Oktiabrskoi revoliutsii. M:
State Tretiakov Gallery, 1967.
16.
Avantgarde Osteuropa 1910-1930.
W. Berlin: Akademie der
Künste, 1967.
17.
Russische Künstler aus dem 20.
Jahrhundert. Cologne:
Galerie Gmurzynska, 1968.
18.
L'Art d'Avant-Garde Russe,
1905-1925. Paris:
Musée d'Art Moderne, 1968.
19.
Aspects de L”Avant-Garde Russe,
1905-1925. Paris:
Galerie Jean Chauvelin, 1969.
20.
The Non-Objective World 1914-1924.
London: Annely Juda Fine
Art, and other cities, 1971.
21.
The Non-Objective World 1924-1939.
London: Annely Juda Fine
Arts, and other cities, 1971.
22.
Osteuropäische Avantgarde.
Cologne: Galerie
Gmurzynska, 1970-1971.
23.
Russian Art of the Revolution.
Ithaca, N.Y.: Andrew Dickson White Museum of Art; Brooklyn:
Brooklyn Museum, 1971.
24.
Russian Art of the Avant-Garde
1908-1922. New York:
Leonard Hutton Galleries, 1971.
25.
Art in Revolution. Soviet Art and
Design Since 1917. London:
Hayward Gallery, and other cities, 1971-1972.
Opened as Kunst in der Revolution
in Frankfurt, W. Germany and other cities, 1972-1973.
26.
Konstruktivizmus.
Entwicklungen und Tendenzen seit 1913.
Cologne: Galerie
Gmurzynska, 1972.
27.
Progressive Russische Kunst.
Cologne: Galerie
Gmurzynska, 1973.
28.
Vision Russe.
Geneva:
Galerie Motte, 1973.
29.
Tatlin's Dream. Russian Suprematist and Constructivist Art 1910-23.
London: Fischer Fine
Art, 1974.
30.
Der Beitrag Russlands zur der
Geschichter der Avantgarde der zehner und zwanziger Jahre.
Nuremberg:
Galerie R. Johanna Ricard, 1974.
31.
Von der Fläche zum Raum/From
Surface to Space. Russland/Russia
1916-24. Cologne:
Galerie Gmurzynska, 1974.
32.
2 Stenberg 2.
The
“Laboratory” Period (1919-1921)
of Russian Constructivism. Paris:
Galerie Jean Chauvelin, 1975.
33.
Die 20er Jahre in Osteuropea/The
1920s in Eastern Europe. Cologne: Galerie Gmurzynska,
1975.
34.
Echoes of Russia. Washington, Conn.: Washington
Art Gallery, 1975.
35.
Dibujos y acuarelas de la
vanguardia rusa. Caracas:
Sala de esposiciones, 1975.
36.
Portret v russkoi zhivopisi kontsa
XIX-nachala XX veka. L:
State Russian Museum, 1975.
37.
Russian Avant Garde.
New York:
Carus Gallery, 1975.
38.
Maiakovski 20 Ans de Travail.
Paris:
Centre Georges Pompidou, 1975-1976.
The exhibition then opened at the Neue Gesellschaft für bildende Kunst,
W. Berlin, in 1978 under the title “Majakovskij: 20 Jahre Arbeit”; and then at the Museum of Modern Art,
Oxford, England, in 1982, under the title “Vladimir Mayakovsky:
Twenty Years of Work.”
39.
Russian Pioneers at the Origins of
Non-Objective Art. London:
Annely Juda Fine Art, 1976.
40.
Russian Suprematist and
Constructivist Art 1910-1930. London:
Fischer Fine Art, 1976.
41.
Russische Malerei 1890-1917.
Frankfurt: Städelisches
Kunstinstitut, 1976-1977.
42.
Die Kunstismen in Russland/The Isms
of Art in Russia. Cologne:
Galerie Gmurzynska, 1977.
43.
Russian And Soviet Painting.
New York: Metropolitan Museum of Art, 1977.
44.
Sammlung Costakis.
Düsseldorf: Kunstmuseum,
1977.
45.
The Suprematist Straight Line.
Malevich, Suetin, Chashnik, Lissitzky. London:
Annely Juda Fine Art, 1977.
46.
Revolution:
Russian Avant-Garde 1912-1930. New
York: Museum of Modern Art, 1978.
47.
Russische Avantgarde 1910-1930.
Cologne: Galerie
Bargera, 1978.
48.
(a) Vystavka novykh postuplenii.
Zhivopis
XVIII-nachala XX veka. L:
State Russian Museum, 1978; (b)
Vystaka novykh postuplenii.
Risunok i akvarel XVIII-nachala XX veka.
L: State Russian Museum, 1979; (c) Vystavka novykh postuplenii. Graviura i litografiia XVIII-nachala XX
veka. L: State Russian Museum, 1979.
49.
Russian Graphic Art XVIII-XX cc.
Newcastle: University of Newcastle, 1978-79.
50.
(a) Paris-Moscou 1900-1930.
Paris: Centre Pompidou,
1979; (b) Moskva-Parizh 1900-1930.
M: Pushkin Museum of Fine
Arts, 1981.
51.
The Russian Revolution of Art.
New York: Rosa Esman Gallery, 1979.
52.
Künstlerinnen der russischen
Avantgarde/Women-Artists of the Russian Avant-Garde 1910-30.
Cologne: Galerie
Gmurzynska, 1979-1980.
53.
L'altra metà dell'avanguardia
1910-1940. Milan:
Comune di Milano, 1980. (French
version: L'autre moitié de l'avant garde 1910-1940.
Paris: Des Femmes, 1982).
54.
The Avant-Garde in Russia
1910-1930. New Perspectives. Los Angeles: Los Angeles County Museum; Washington, D.C.:
Hirshhorn Museum and Sculpture Garden, 1980-1981.
55.
Invention and Tradition.
Selected Works from the Julia A. Whitney Foundation and the Thomas P.
Whitney Collection of Modernist Russian Art.
Charlottesville, Va.: University of Virginia and other cities, 1980-1981.
56.
Plakat pervogo desiatiletiia
Oktiabria i proizvedeniia teatralnykh khudozhnikov iz sobraniia Ya.E.
Rubinshteina. M:
Yablochkina Central House of the Actor, 1981.
57.
Herwarth Walden and Der Sturm.
New York: La Boetie, 1981.
58.
Russian Painting and Graphics:
1812-1945. A Selection from
the Collections of Mr. and Mrs. A.L. de Saint-Rat and the Walter Havighurst
Special Collections, Miami University. Oxford,
Ohio: Miami University, 1981.
59.
Von der Malerei zum Design/From
Painting to Design. Cologne:
Galerie Gmurzynska, 1981.
60.
Art of the Avant-Garde in Russia:
Selections from the George Costakis Collection.
New York: Guggenheim
Museum, and other cities, 1981-83.
61.
Art and Revolution.
Japan: Seibu Museum of
Art, 1982.
62.
Plastyka Radziecka.
Sztuka okresu pazdziernika 1917-1930.
Warsaw: Zacheta, 1982.
63.
Russkaia grafika XVIII-XX vekov (iz
sobraniia O. V. Kachurina i Ya. E. Rubinshteina.
L:
Lenin Soviet Executive committee, 1982; M:
Pushkin Museum of Fine Arts, 1982.
64.
Architettura nel paese dei Soviet
1917-1933. Rome: Palazzo
delle Exposizioni, 1982-1983.
65.
L'Avant-Garde au Féminin.
Moscou,
Saint-Petersbourg, Paris (1907-1930). Paris:
Artcurial, 1983.
66.
Umetnost Oktobarske epohe.
Belgrade: Museum of Contemporary Art; Zagreb: Gallery of Contemporary Art, 1983.
67.
100 oeuvres du Musée Trétiakov de
Moscou. Geneva:
Petit Palais, 1983.
68.
The First Russian Show.
London: Annely Juda Fine
Art, 1983.
69.
Russisk malerei fra slutten av det
19. og begynnelsen av det 20 århundre. Oslo:
Munch-Museet, 1983.
70.
The Russian Avant-Garde and
American Abstract Artists. Coral
Gables: Lowe Art Museum, 1983.
71.
Dada-Constructivism.
London: Annely Juda Fine
Art, 1984.
72.
Russian Avant-Garde Art from the
Schreiber Collection. New
Rochelle: Castle Gallery, 1984.
73.
Meisterwerke russischer Malerei.
Cologne: Josef-Haubrich-Kunsthalle,
February-March, 1984.
74.
Russische Kunst des 20
Jahrhunderts. Sammlung Semjonow.
Esslingen am Neckar: Galerie
der Stadt, 1984.
75.
Sieben Moskauer Künstler/Seven
Moscow Artists 1910-1930. Cologne: Galerie Gmurzynska,
1984.
76.
Art into Production.
Oxford: Museum of Modern
Art, 1984-85.
77.
Russische und Sowjetische Kunst.
Tradition-Gegenwart. Düsseldorf:
Städtische Kunsthalle and other institutions, 1984-1985.
78.
Art for the Masses. Russian
Revolutionary Art from the Merrill C. Berman Collection.
Williamstown: Williams
College Museum of Art; Wesleyan University:
Davison Art Center, 1985.
79.
Vanguardia Rusa 1910-1930.
Museo y coleccion Ludwig. Madrid:
Fundacion Juan March, 1985.
80.
Russkoe izobrazitelnoe iskusstvo
nachala XX veka. Iz chastnykh sobranii Leningrada. L, 1985.
81.
Vom Klang der Bilder.
Stuttgart:
Staatsgalerie, July-September, 1985.
82.
Masterpieces of the Avantgarde.
London: Annely Juda Fine
Art/Juda Rowan Gallery, September-December, 1985.
83.
Contrasts of Form. Geometric
Abstract Art 1910-1980. New
York: Museum of Modern Art,
October-December, 1985.
84.
Of Absence and Presence.
New York: Kent Fine Art, April-May, 1986.
85.
Futurismo i futurismi.
Venice: Palazzo Grassi,
May-October, 1986.
86.
Pioniere der abstrakten Kunst aus
der Sammlung Thyssen-Bornemisza. Cologne:
Galerie Gmurzynska, 1-30 September, 1986.
87.
Russia. The Land, The People.
Washington: Renwick Gallery, and other institutions, October, 1986 --
May, 1987.
88.
Avant-Garde Russe 1910-1930.
Paris:
Galerie Georges Lavrov, spring, 1987.
89.
Meister des XX Jahrhunderts.
Cologne:
Galerie Gmuryznska, April-July, 1987.
90.
Iskusstvo
i revoliutsiia II. Art and
Revolution II, Tokyo: Seibu
Museum, 1987.
91.
Müvészet és Forradalom. Art
and Revolution. Budapest: Palace
of Exhibitions; then opened under the title
Kunst und Revolution. Art and Revolution, Vienna: Österrreichische
Museum für angewandte Kunst, 1987-1988.
92.
Novoe iskusstvo, Novyi byt,
1917-1927. M:
Collectors' Club, 1987.
93.
Muutoksen aika förändringens tid.
Time
of Change, 1905-1930.
Helsinki:
Art Hall, 1988.
94.
Moderne -- Postmoderne.
Geneva: Cabinet des estampes, 1988.
95.
1000-letie russkoi khudozhestvennoi
kultury. 1000 Jahre russische Kunst. M:
State Tretiakov Gallery, and Hamburg: Schloss Gottorf, 1988.
96.
Vystavka khudozhestvennykh
proizvedenii XVI-XX vekov iz sobraniia G. Basmadzhiana.
M: State Tretiakov
Gallery, and L: Hermitage, 1988.
97.
Russian and Soviet Painting
1900-1930. Washington, D.C.: Hirshhorn
Museum and Sculpture Garden, 1988.
98.
Revolutionäre Kunst aus
sowjetischen Museen 1910-1930. Lugano: Fondazione
Thyssen-Bornemisza, 1988.
99.
A New Spirit. New York: Barry
Friedman, 1988.
100.
Avant Garde
Revolution Avant Garde. Russian
Art from the Michail Grobman Collection. Tel
Aviv: Tel Aviv Museum of Art, 1988.
101.
Michail Grobman.
Künstler und Sammler. Bochum:
Museum Bochum, 1988.
102.
Shedevry zhivopisi XX veka iz
sobraniia Tissen-Bornemisa. L:
State Russian Museum, 1988.
103.
Dada and Constructivism. Tokyo:
Seibu Museum and elsewhere, 1988-1989.
104.
Konstruktivismus-Suprematismus.
Zürich: Galerie Stolz,
1988-1989.
105.
Osteuropäische Avantgarde. Bochum:
Museum Bochum, 1988-1989.
106.
The Russian and Soviet Avant-Garde.
Works from the Collection of George Costakis.
Montreal: Montreal
Museum of Fine Arts, 1989.
107.
Avanguardia Russa dalle collezioni
private sovietiche. Origini e percorso 1904-1934.
Milan: Palazzo Reale,
1989.
108.
Avantgarde. Neuostotaidetta
1920-1930. Helsinki:
Galerie Art, 1989.
109.
100 Years of Russian Art 1889-1989
from Private Collections in the USSR. London: Barbican
Gallery, and Oxford: Museum of
Modern Art, 1989.
110.
Arte Russa e Sovietica 1870-1930.
Turin: Lingotto, 1989.
111.
Avantgarde 1910-1930.
Russian-Soviet Art. Turku: Art
Museum, 1989.
112.
Von
der Revolution zur Perestroika. Sowjetische
Kunst aus der Sammlung Ludwig. Lucerne:
Kunstmuseum, 1989.
113.
Russische Kunst 1900-1930.
Munich: Galerie Pabst,
1989.
114.
Vor
den Toren der unbekannten Zukunft. Russische
Avantgarde der 10er und 20er Jahre. Werke aus Schweizer Privatbesitz.
Zürich: Stiftung
für konstruktive und konkrete Kunst, 1989.
115.
Kunst
der 20er und 30er Jahre. Iserlohn:
Stadmuseum, 1989.
116.
Artistes
Russes de l'Ecole de Paris. Paris: Musée
d'Art Moderne, 1989.
117.
Kunst
und Propaganda. Sowjetische
Plakate bis 1953. Zürich:
Museum für Gestaltung, and other institutions, 1989-90.
118.
The
Russian Avant-Garde 1920-1935. Los
Angeles: Turner Dailey Gallery, 1990.
119.
Russland
1910-193. Buchkunst und Literatur
der Avantgarde. Cologne:
Venator und Hanstein, 1990.
120.
Grafica Russa 1917-1930.
Florence: Palazzo Strozzi, 1990.
121.
Tradition
and Revolution in Russian Art. Manchester:
City Art Gallery and other insitutions, 1990.
122.
Russian Avant-Garde. London:
Cooling Gallery, 1990.
123.
The
Russian Experiment. New
Rochelle: College of New Rochelle, 1990.
124.
Russische
und Sowjetische Zeichnungen und Aquarelle von 1900 bis 1930 aus dem
Puschkin-Museum, Moskau. Mannheim: Städtische
Kunsthalle, 1990.
125.
Moscow.
Treasures and Traditions. Washington,
D.C.: Smithsonian Traveling Exhibition Service, 1990.
126.
Art
Treasures from the Russian Tsar Court. Aarhus:
Aarhus Art Museum, 1990.
127.
Russishche
Avantgarde 1910-1930. Duisburg:
Wilhelm-Lehmbruck Museum, 1990.
128.
Art
into Life. Seattle: Henry
Art Gallery, 1990.
129.
Color. Form. Texture: The Russian
Avant-Garde, 1910-1920. Institute
of Modern Russian Culture, Los Angeles, 1990.
130.
Simvolizm
v Russii 1890-1930 iz chastnykh kollektsii. M:
Soviet Culture Foundation, 1990.
131.
Ukrajinska
Avangarda 1910-1930. Zagreb:
Muzej suvremene umjetnosti, 1990.
132. 50 Años de Arte
sovietico. Barcelona:
Centre Cultural Metropolità, 1990.
133.
La
Tipografia Russa 1890-1930. Città
di Castello, Palazzo Vitelli a Sant'Egidio, 1990.
134.
Majakovskij
e l'avanguardia russa del primo '900, Senigalia: Rocca Roveresca, 1990.
135.
La
epoca heroica. Obra grafica de las vanguardias rusa y hungara 1912-1925.
Valencia:
IVAM Centre Julio Gonzalez, 1990.
136.
Viisi
Vuosisataa Ukrainan Taidetta/Five Centuries of Ukrainian Art.
Tampere, Finland: Tampere
Art Museum, 1990.
137.
Artisti
Russi 1900-1930. Rome:
Palazzo delle Esposizioni, 1990-1991
138.
Moskovskie
khudozhniki. 20-30-e gody. Moscow:
Union of Artists of the RSFSR, 1991.
139.
Twilight
of the Tsars. London:
Hayward Gallery, 1991.
140.
Avantgarde
I 1900-1923. Russisch-sowjetische Architektur. Tübingen: Kunsthalle,
1991.
141.
Proizvedeniia
russkikh khudozhnikov iz muzeev i chastnykh kollektsii Italii. L:
Russian Museum, 1991.
142.
Avanguardie Russe.
Milan: Fonte d'Abisso
d'Arte, 1991.
143.
Russian
Constructivism and Suprematism, 1914- 1930. London:
Annely Juda Fine Art, 1991.
144.
Russian
Avant-Garde Art -- 1910-1930 from the Gilbert Collection. Akron:
Akron Art Museum, 1991.
145.
Sovetskoe
iskusstvo 1920-1930-kh godov iz sobraniia Gosudarstvennogo muzeia iskusstv
Karakalpakskoi ASSSR. L:
Russian Museum, 1991.
146.
Matjuschin
und die Leningrader Avantgarde. Karlsruhe: Zentrum
für Kunst und Medientechnologie, 1991.
147.
Vanguardismo
Ruso 1900-1935 de Colleciones Privadas. Valencia: Museo
de la Ciudad, 1991.
148.
Suprematisti Russi degli Anni 20.
Milan:
Galleria Marconi, 1991.
149.
Russie-URSS
1914-1991, Changements de regards. Paris:
Musée d'histoire contemporaine, 1991.
150.
Spirit of Ukraine. 500 Years of
Painting. Winnipeg:
Winnipeg Art Gallery, 1991.
151.
Taide Tulevaisuutta Luomassa
1920-1930. Helsinki:
Taideteollisuusmuseo, 1991.
152.
Abstraktion
und Konstruktion. Berlin:
Stolz, 1992.
153.
Il Simbolismo russo.
Venice: Fondazione
Georgio Cini, 1992.
154.
Die
Grosse Utopie. Die russische Avantgarde 1915-1932. Frankfurt:
Kunsthalle; De Grote Utopie. Russische
Avantgarde 1915-1932. Amsterdam:
the Stedelijk Museum; The Great
Utopia. The Russian and Soviet
Avant-Garde 1915-1932. New
York: Solomon R. Guggenheim Museum,
1992-1993; Velikaia utopiia 1915-1932. Moscow:
Tretiakov Gallery; and St. Petersburg:
Russian Museum, 1993.
155.
Avanguardie
Russe. Rome:
Galleria Fontanella Borghese, 1992.
156.
Avant-Garde
and Russian Art 1900-1930. Sapporo: Maruiimai,
1992.
157.
Die Welt der Lilja Brik.
Berlin: Galerie Natan
Fedorowskij, 1992.
158.
Arte
Nascosta. Itinerario attraverso la pittura russa del primo '900.
Milan: Galleria
Capitani; and Cuneo: Galleria
d'Arte Il Prisma, 1992-1995 (three volumes).
159.
L'avant-garde russe, 1905-1925. Chefs-d'oeuvre
des musées de Russie. Nantes:
Musée des Beaux-Arts, 1993.
160.
I
collezionisti/1. Arte russa e
sovietica nelle raccolte italiane. Modena:
Galleria Civica, 1993.
161.
Avant
Garde and Ukraine. Munich: Villa
Stuck, 1993.
162.
Regard
sur l'avant-garde russe. Yonne:
Centre d'Art Contemporain, 1993.
163.
Russische
Avantgarde und Volkskunst. Baden-Baden: Staatliche
Kunsthalle, 1993.
164.
Partners.
London: Annely
Juda Fine Art, 1993.
165.
Una
mirada sobre la vanguardia rusa (1910-1930).
Zaragoza: Centro de Exposiciones y Congresos, 1993166.
Pays-Paysage. Livres d'artistes russes et soviètiques 1910-1933.
Uzerche, France: Bibliothèque
Nationale, 1993.
167.
Russian
Painting of the Avant-Garde 1906-1924. Edinburgh:
Scottish National Gallery, 1993.
168.
Avantgarde
1900-1930. Helsinki: Atheneum,
1993-94.
169.
L'Art
en Ukraine. Musée des
Augustins, Toulouse, 1993-1994.
170.
From
Malevich to Kabakov: The Russian
Avant-Garde in the 20th
Century. Cologne:
Josef-Haubrich-Kunsthalle, 1993-1994.
171.
Russische
Avant-garde 1900-1930. Antwerp:
Hessenhuis, 1993-1994.
172.
L'Avant-Garde
Russe. Galerie Gloria Cohen,
Paris, 1994.
173.
Kreuzwege.
Russische Avantgarde im 20. Jahrhundert.
Trials and Tribulations. Russian Avant-Garde in the 20th Century. Berlin: Galerie
Stolz, 1994.
174.
The
Avant Garde Heritage. Storrs,
Connecticut: William Benton Museum
of Art, 1994.
175.
Affiches
russes et soviètiques 1905-1953. Paris:
Galerie Basmadjian, 1994.
176.
Tradition
and the Vanguard. Jewish Culture in the Russian Revolutionary Era. San Diego: Founders
Gallery, University of San Diego,1994.
177.
Avanguardia
e ritorno. Arte russa 1900-1940. Milan: Fonte
d'Abisso Arte, 1994.
178.
All
Change. Russian Avant-Garde Books 1912-1934.
London: King's Library,
1994.
178.
Veseliashchii
Peterburg, SP:
Russian Museum, 1994.
180.
La Vanguardia Rusa 1905-1925. Centro
Atlantico de Arte Moderno, 1994.
181.
Der
Zarenschatz der Romanov. Speyer: Museum
der Pfalz, 1994.
182.
Europa,
Europa. Das Jahrhundert der Avantgarde in Mittel- und Osteuropa. Bonn: Kunsthalle,
1994.
183.
Biliofilskaia kniga v Rossii pervoi
treti XX veka. Anna
Akhmatova Museum, St. Petersburg, 1994.
184.
Ori
e Ore. Arte sacra e profana al tempo degli Zar.
Milan:
Galleria Ottavo Piano, 1994-1995.
185.
Five
Centuries of Russian Art. St.
Petersburg, Florida: Museum of Fine
Arts, 1995.
186.
Treasures
of the Czars: from the Moscow Kremlin Museums. St.
Petersburg, Florida: Florida
International Museum, 1995.
187.
Russische
Avant-garde 1900-1930. (40
paintings and 30 works on paper from the collection of the late Abram
Chudnovsky), The Hague:
Het Palais, 1995.
188.
Staatliches
Russisches Museum, St. Petersburg. Bonn:
Kunsthalle, 1995.
189.
They
Bore Russia with Them. M: Tretiakov Gallery, 1995; L'Exil de la peinture russe en France 1920-1970.
Nice: Musée d'Art
Moderne et d'Art Contemporain, 1995 (selections from René Guerra's collection
of Russian émigré artists).
190.
Paul
Mansouroff et l'avant-garde russe à Pétrograd/Les Arts Appliqués à Pétrograd.
Nice:
Musée d'Art Moderne et d'Art Contemporain, 1995.
Travelled to the St. Petersburg
Museum , Otaru, in 1996.
191.
Aspects
of Futurism. Cologne: Galerie
Gmurzynska, 1995.
192.
Suprematism
and Constructivism in Russia. New
York: Howard Schickler Gallery, 1995.
193.
Zeichen
und Wunder: Niko Pirosmanashvili
(1862-1918) und die Kunst der Gegenwart. Zürich:
Kunsthalle, 1995.
194.
Die
Russen in Berlin/The Russians in Berlin/ Russkii Berlin,
Berlin: Galerie Stolz,
1995.
195.
Il
tempo delle illusioni. Arte russa
degli anni Venti. Genoa:
Palazzo Ducale, 1995.
196.
Opere
da una collezione di arte russa moderna e contemporanea (Dalla
collezione di Alberto Sandretti), Sesto San Giovanni (Milan): Villa Zorn, 1995.
195.
Okkultismus
und Avantgarde. Von Munch bis
Mondrian 1900-1915, Frankfurt:
Schirn Kunsthalle, 1995.
196.
Paul
Gauguin e l'avanguardia russa, Ferrara: Palazzo
dei Diamanti,1995.
197.
Kandinskij,
Malevich e le avanguardie russe 1905-1925. Turin: Palazzo
Bricherasio, 1995-96. Travelled
to the Art Gallery of New South Wales, Sydney, under the title Kandinsky
and the Russian Avant-Garde in
1996.
198.
Moskau-Berlin.
Berlin: Berlinische Galerie, 1995-1996; and then Berlin-Moscow. Moscow:
Pushkin Museum, 1996.
199.
Russian
Jewish Artists in a Century of Change,1890-1988.
New York: Jewish Museum,
and other cities,1995-96.
200.
The
Women Artists of the Russian Avant-garde. Cologne:
Galerie Gmurzynska, 1995-96.
201.
Glaube,
Hoffnung-Anpassung. Sowjetische
Bilder 1928-1945. Essen:
Museum Folkwang, 1995-96.
202.
Russian
Avant-Garde 1910-1930. The
G. Costakis Collection, Athens:
National Gallery and Alexandros Soutzos Museum; and other cities,
1995-96.
203.
Arte
Russa 1900-1935. Milan:
Galleria Capitani, 1996.
204.
Building
the Collective. Soviet Graphic Design 1917-1937. Selections from the Merrill C.
Berman Collection. New York: Schermerhorn Hall, Columbia University, New York, 1996.
205.
Les
Russes en France. Paris:
Musée Carnavalet, Paris, 1996.
206.
Utopia,
Ilusiòn y Adaptaciòn: Arte Sovietica 1928-1945. Valencia: IVAM
Centre Julio Gonzalez, 1996.
207.
Simvolizm
v Rossii. SP:
Russian Museum, 1996.
208.
Posviashchenie
Shostakovichu. M:
Pushkin Museum of Fine Arts, 1996-1997.
209.
Krasnyi
tsvet v russkom iskusstve. SP:
Russian Museum, 1997.
210.
Russian
Constructivist Roots: Present Concerns. Maryland:
University of Maryland, 1997.
211.
Staraia detskaia kniga 1900-30-ye
gody iz sobraniia professora Marka Ratsa. M: Literary Museum, 1997.
212.
Masterskaia konstruktivizma. M:
Tretiakov Gallery, 1998.
213.
Art from Russia's Turning-Point.
Isaak Brodsky and His Collection.
Billings: Yellowstone Art Museum, 1998.
214.
Russkii avangard.
Muzei v muzee. SP:
Russian Museum, 1998.
215.
Pol Sezan [Paul Cézanne] i russkii
avangard nachala XX veka. M:
Pushkim Museum of Fine Arts, 1998
216.
Vystavka khudzhnikov kruga "Bubnovogo
valeta" 1910-1930 iz kollektsii Andreia Eremina, M:
Art-Salon, 1998
217.
Stanovlenie russkogo zhivopisnogo
simvolizma. Saratov: Radishchev Museum of Art, 1998
218.
A Taste for Splendor.
Russian Imperial and European Treasures from The Hillwood Museum.
Washington, D.C.: Art Services international, Alexandria, Va., 1998
210.
Chagall, Kandinsky, Malewitsch und die
russische Avant-Garde. Hamburg:
Kunsthalle; and Zürich: Kunsthaus,1998-99.
220.
100 dessins et aquarelles russes de 1790
à 1920. Paris: Galerie de la Scala, 1999
221.
Defining Russian Graphic Arts.: From
Diaghilev to Stalin, 1898-1934. New
Brunswick, New Jersey: Zimmerli Museum, 1999
222.
New Art for a New Era. Malevich's
Vision of the Russian Avant-Garde. London:
Barbican Center, 1999
223.
Pioneros del arte moderno.
Arte ruso y sovietcio 1900-1930.
Bogota: Banca de la Republica,1999
224.
"Mir iskusstva" i vozrozhdenie
originalnoi graviury v Rossii. M:
Tretiakov Gallery, 1999
225.
Igra i strast. RM,
1999. A smaller version travelled
to the Moscow Center of the Arts in 2001.
226.
Treasures of Russia from Peterhof, Palaces
of the Tsars, Las Vegas: Rio All-Suite Casino Resort, 1999.
227.
Treasures of the Last Russian
Emperor. Los Angeles: Queen
Mary, 1999
228.
Souvenirs Moscovites 1860-1930. Paris:
Musée Galliera, 1999
229.
Risunki masterov Bubnovogo valeta. M:
Elizium, 1999
230.
Kandinsky, Chagall, Malevich e lo
spiritualismo russo. Verona:
Palazzo Forti, 1999-2000
231.
Organica. The Non-Objective World
of Nature and the Russian Avant-Garde of the 20th Century. Cologne: Galerie Gmurzynska, 1999-2000
232.
Le Fauvisme ou l'Epreuve du feu.
Paris: Musée d'Art Moderne de la Ville de Paris, 1999-2000
233.
El simbolismo ruso/Le symbolisme russe.
Madrid and Barcelona:
Fundacion "la Caixa"; Bordeaux: Musée des Beaux-Arts, 1999-2000
234.
Amazonen der Avantgarde. Amazons
of the Avant-Garde. Berlin:
Deutsche Guggenheim; Royal Academy, London; Peggy Guggenheim Museum, Venice;
Guggenheim Museum, Bilbao; and Solomon R. Guggenheim Museum, New York, 1999-2000
235.
Painting Revolution.
Kandinsky, Malevich and the Russian Avant-Garde. Phoenix:
Phoenix Art Museum, and other cities. 1999-2001
236.
Parizhskoe kafe. M:
Moscow Center of the Arts, 2000
237.
Tri ognia.
Baku v izobraziltelnom iskusstve 19-20 vekov. M:
Moscow Center of the Arts, 2000
238.
XX vek. My - v oblozhke. M:
Pushkin Museum of Fine Arts, 2000
239.
The Collection of George Costakis.
Thessaloniki: State Museum of Contemporary Art, 2000-01
240.
Russi 1900-1920. Larionov,
Goncharova, Kandinsky e gli altri. Le radici dell'avanguardia, Brescia:
Palazzo Martinengo, 2000-01
241.
Kollektsiia peterburgskikh
sobiratelei bratiev Rzhevskikh. SP: Russian Museum,
2001
242.
Mit voller Kraft. Russische
Avant-garde 1910-1934. Hamburg: Museum für Kunst und Gewerbe, 2001
243. Paris-Moscow. Crosscurrents. London: Grosvenor Gallery, 2001