| 1882 | Busoni | Tre pezzi nello stilo antico |
| 1886 | d'Indy | Suite en re dans le style ancien |
| 1888 | Mahler | Symphony no. 1 |
| Debussy | Ariettes oubliées |
| Satie | Gymnopédies |
| 1889 | Strauss | Don Juan |
| Debussy | Cinq poèmes de Charles Baudelaire |
| | Petite Suite |
| 1890 | Debussy | Suite Bergamasque |
| 1891 | Ives | Variations on America |
| 1892 | Saint-Saéns | Sarabande et Rigaudon |
| 1893 | Chaminade | Piece dans le style ancien |
| 1894 | Mahler | Symphony No. 2 |
| Debussy | Prélude à l'après midi d'un faune |
| 1895 | Ravel | Menuet antique |
| 1896 | Mahler | Symphony no. 3 |
| | Lieder eines fahrenden Gesellen |
| Strauss | Also sprach Zarathustra |
| Debussy | Images |
| 1899 | Debussy | Nocturnes |
| Schoenberg | Verklärte Nacht, op. 4 |
| Ravel | Pavane pour une enfante defunte |
| 1900 | Mahler | Des Knaben Wunderhorn |
| | Symphony no. 4 |
| Satie | "Je te veux" |
| Zemlinsky | Ehetanzlied und andere Gesänge |
| 1901 | Debussy | Pour le piano |
| Schoenberg | Brettl-lieder |
| Ravel | Jeux d'eau |
| 1902 | Mahler | Symphony no. 5 |
| | Symphony no. 6 |
| Debussy | Pelléas et Mélisande |
| Dukas | Variations, Interlude, et Final sur in theme de Rameau |
| 1903 | Satie | Trois morceaux en forme de poir |
| Schoenberg | Pelleas und Melisande, op.5 |
| Ravel | Shéhérazade |
| | String quartet |
| 1904 | Mahler | Kindentotenlieder |
| Reger | Variations and Fugue on a Theme of J. S. Bach |
| Ives | Ragtime Pieces |
| Webern | Im Sommerwind |
| 1905 | Mahler | Symphony no. 7 |
| | Strauss | Salomé |
| Debussy | La mer |
| | Suite bergamasque |
| Schoenberg | String Quartet No.1, op.7 |
| | | Orchesterlieder, op.8 |
| Ravel | Sonatine |
| | Miroirs |
| de Falla | La vida breve |
| 1906 | Mahler | Symphony no. 8 |
| Strauss | Elektra |
| Dukas | Ariane et Barbe-bleu |
| Vaughan Williams | Norfolk Rhapsodies |
| Schoenberg | Kammersymphonie No.1,op.9 |
| Ives | The Unanswered Question |
| Ravel | Histoires naturelles |
| 1907 | Holst | A Somerset Rhapsody |
| | Four Old English Carols |
| Schoenberg | Two Ballads,op.12 |
| 1908 | Debussy | Children's Corner |
| Schoenberg | String Quartet No. 2, op. 10 |
| Ravel | Gaspard de la nuit |
| | Rapsodie espanole |
| Bartók | Fourteen Bagatelles, op. 6 |
| Webern | Passacaglia, op. 1 |
| | Entflieht auf leichten Kähnen, op.2 |
| | Five Songs, op.3 |
| Berg | Seven Early Songs |
| | Piano Sonata, op. 1 |
| 1909 | d'Indy | Menuet sur le nom d'Haydn |
| | Mahler | Das Lied von der Erde |
| Vaughan Williams | A Sea Symphony |
| | Schoenberg | Three Piano Pieces, op. 11 |
| | Funf Orchesterstucke,op.16 |
| | Erwartung, op. 17 |
| Webern | Five Songs, op.4 |
| | Five movements for String Quartet, op.5 |
| | Six pieces for Orchestra, op.6 |
| 1910 | Mahler | Symphony No. 9 |
| Debussy | Préludes, Book I |
| Strauss | Der Rosenkavalier |
| Busoni | Fantasia contrapuntistica |
| Scriabin | Prometheus |
| Vaughan Williams | Fantasia on a Theme by Thomas Tallis |
| Ravel | Ma mére l'oye |
| | l'Heure espagnole |
| Schmitt | La Tragédie de Salomé |
| Stravinsky | The Firebird |
| | Berg | Four Songs, Op. 2 |
| | String Quartet, op. 3 |
| 1911 | Mahler | Symphony no.10 (incomplete) |
| Vaughan Williams | A Dirge for Two Veterans |
| Schoenberg | Gurrelieder |
| Ravel | Valses nobles et sentmentales |
| Bartók | Bluebeard's Castle |
| Stravinsky | Petrushka |
| 1912 | Strauss | Ariadne auf Naxos |
| Reger | Kozert im alten Stil |
| Holst | Two Psalms |
| Schoenberg | Pierrot Lunaire, op. 21 |
| Ravel | Daphnis et Chloé |
| Berg | Altenberglieder, op. 4 |
| Prokofiev | Toccata , op.11 |
| 1913 | Debussy | Préludes, Book II |
| | Jeux |
| Satie | Enfantines |
| Zemlinsky | Sechs Gesange (Maeterlinck) |
| Schoenberg | Die Glückliche Hand, op. 18 |
| Ravel | Trois poèmes de Stéphane Mallarmé |
| Stravinsky | The Rite of Spring |
| | Three Japanese Lyrics |
| Webern | Six Bagatelles for String Quartet, op.9 |
| | Five pieces for Orchestra, op.10 |
| Berg | Four Pieces for Clarinet and Piano, op. 5 |
| Russolo | Risveglio de una Citta |
| Ornstein | Danse sauvage |
| | Suicide in an Airplane |
| Martin | Suite |
| Milhaud | Suite |
| 1914 | Satie | Sports et Divertissement |
| Schmitt | Chant de guerre |
| Zemlinsky | String Quartet No.2 |
| Ives | Three Places in New England |
| Ravel | Piano trio |
| de Falla | El amor brujo |
| Carpenter | Adventures in a Perambulator |
| Pratella | Musica Futurista |
| Stravinsky | Three Pieces for String Quartet |
| | Pribaoutki |
| Webern | Three Little Pieces for Cello and Piano, op.11 |
| 1915 | Debussy | Sonata for cello and piano |
| Ives | Piano Sonata No. 2 "Concord" |
| Webern | Four Songs, op. 12 |
| Berg | Three Pieces for Orchestra, op. 6 |
| Prokofiev | Scythian Suite , op.20 |
| | Chout , op.21 |
| Milhaud | Les choëphores |
| 1916 | Debussy | Sonata for flute, viola, and harp |
| Zemlinsky | Eine florentinische Tragödie |
| Holst | The Planets |
| Ives | Symphony No. 4 |
| Stravinsky | Renard |
| | Berceuses du chat |
| 1917 | Satie | Parade |
| Debussy | Sonata for piano and violin |
| Busoni | Arlecchino |
| Ives | In Flanders Fields |
| Ravel | Le tombeau de couperin |
| Respighi | Antiche arie e danze per luito |
| Stravinsky | Study for Pianola: "Madrid" |
| | Set of Easy Pieces |
| Prokofiev | Symphony No.1 ("Classical"), op.25 |
| Honegger | Fugue et choral |
| Poulenc | Rapsodie nègre |
| 1918 | Puccini | Il Tabarro |
| Bartók | Miraculous Mandarin |
| Stravinsky | l'Histoire du soldat |
| | Ragtime for Eleven Instruments |
| Milhaud | l'Homme et son désir |
| Poulenc | Le bestiaire |
| | Sonata |
| 1919 | de Falla | El sombrero de tres picos |
| Stravinsky | Piano Rag |
| Villa-Lobos | Symphony No. 3 "A guerra" |
| Milhaud | Machines agricoles |
| | Le boeuf sur le toit |
| 1920 | Schmitt | Anthony et Cleopatre |
| Ravel | La Valse |
| Stravinsky | Pulcinella |
| | Symphonies of Wind Instruments |
| Villa-Lobos | Symphony No. 5 "A paz" |
| Poulenc | Suite en ut |
| 1921 | Zemlinsky | Der Zwerg |
| Webern | Six Songs (Trakl), op. 14 |
| | Piano Concerto No.3 , op.26 |
| Honegger | Le roi David |
| Mihaud | Saudades do Brasil |
| | Caramel mou |
| Hindemith | Kammermusik No. 1 |
| Auric | Adieu, New York |
| 1922 | Schoenberg | Jakobsleiter |
| | Two Chorale-Preludes by J. S. Bach |
| Ravel | Sonata for violin and violincello |
| de Falla | El retablo de maese Pedro |
| Ruggles | Angels |
| Stravinsky | Octet |
| Berg | Wozzeck |
| Hindemith | Suite "1922" |
| Poulenc | Sonata |
| Antheil | "Airplane" Sonata |
| Krenek | Tanzstudie |
| Walton | Façade |
| 1923 | Zemlinsky | Lyric Symphony |
| Schoenberg | Five Piano Pieces, op. 23 |
| | Serenade, op. 24 |
| | Suite for piano, op. 25 |
| Stravinsky | Les noces |
| | Octet |
| Varèse | Hyperprism |
| Honegger | Pacific 231 |
| | Trois contrepoints |
| Milhaud | La création du monde |
| | Chamber Symphonies Nos. 1-6 (1917-1923) |
| Hindemith | Das Marienleben |
| Cowell | Aeolian Harp |
| Poulenc | Les biches |
| Antheil | Sonatine "Death of the Machines" |
| 1924 | Puccini | Turandot (incomplete) |
| Satie | Relâche |
| Schoenberg | Wind Quintet, op. 26 |
| Ruggles | Men and Mountains |
| Stravinsky | Concerto for Piano and Winds |
| | Sonata for Piano |
| Webern | Five Canons on Latin Texts, op. 16 |
| Poulenc | Les biches |
| Gershwin | Rhapsody in Blue |
| Weill | Der Protagonist |
| Antheil | Jazz Symphony |
| Copland | Symphony No. 1 |
| Krenek | Kleine Suite |
| 1925 | Schmitt | Salammbo |
| Schoenberg | Three Satires, op. 28 |
| Ravel | l'Enfant et les sortilèges |
| Varèse | Integrales |
| Berg | Chamber Concerto |
| Honegger | Prélude et blues |
| Cowell | The Banshee |
| Gershwin | Concerto in F |
| Antheil | Ballet mécanique |
| Copland | Music for the Theatre |
| Shostakovich | Symphony No.1 |
| 1926 | d'Indy | Six chansons anciennes du Vivaris |
| Schoenberg | Suite, op. 29 |
| de Falla | Concerto for Harpsichord |
| Carpenter | Skyscrapers |
| Bartók | Out of Doors |
| | Piano Sonata |
| | Piano Concerto No. 1 |
| Stravinsky | Serenade in A |
| Webern | Two Songs (Goethe), op. 19 |
| Berg | Lyric Suite |
| Hindemith | Das triadische Ballet für mechanische Orgel |
| Thomson | Variations and Fugues on Sunday School Tunes |
| Weill | Royal Palace |
| Copland | "Jazz" Piano Concerto |
| 1927 | d'Indy | Suite |
| Schoenberg | String Quartet No. 3, op. 30 |
| Ravel | Sonata for violin and piano |
| | Chansons madécasses |
| Stravinsky | Oedipus Rex |
| Martinu | La revue de cuisne |
| Prokofiev | Pas d'acier: The Factory |
| Haba | Vier Tänze |
| Hindemith | Hin und zurück |
| | Kammermusiken Nos. 2-7 (1924-27) |
| Chavez | H.P. (Horsepower) |
| Mosolov | The Steel Foundry |
| Weill | The Tsar Has His Photograph Taken |
| Krenek | Jonny spielt auf |
| Shostakovich | Symphony No.2: "To October" |
| 1928 | d'Indy | Madrigal a deux voix |
| Vaughan Williams | Fantasia on Greensleeves, from Sir John in Love |
| Schoenberg | Variations for orchestra, op. 31 |
| | Prelude and Fugue in E-flat major by J. S. Bach |
| Ravel | Bolero |
| Respighi | Trittico Botticelliano |
| Bartók | String Quartet No. 4 |
| Stravinsky | Apollo |
| Webern | Symphonie, op. 21 |
| Martinu | Le jazz |
| | Jazz Suite |
| Honegger | Rugby |
| Thomson | Four Saints in Three Acts |
| Poulenc | Concert champetre for harpsichord |
| Gershwin | An American in Paris |
| Weill | Three Penny Opera |
| Messiaen | La banquet celeste |
| 1929 | Roussel | "Jazz dans la nuit", op.38 |
| Schoenberg | Von heute auf morgen, op. 32 |
| Stravinsky | Capriccio for Piano and Orchestra |
| Berg | Der Wein |
| Hindemith | Lindberghflug |
| | Neues vom Tage |
| Weill | Mahagonny |
| Seiber | Two Jazzolettes |
| Shostakovich | The Nose |
| 1930 | Vaughan Williams | Job: A Masque for Dancing |
| Ravel | Piano Concerto for the Left Hand |
| Stravinsky | Symphony of Psalms |
| Webern | Quartet, op. 22 |
| Honegger | Partita |
| Copland | Piano Variations |
| Shostakovich | The Age of Gold |
| 1931 | Schmitt | Symphonie concertante |
| Ravel | Piano Concerto in G |
| Ruggles | Suntreader |
| Stravinsky | Concerto in D |
| Varèse | Ionisation |
| Martinu | Partita |
| 1932 | Holst | Jazz-Band Piece |
| Schoenberg | Moses und Aron |
| Stravinsky | Duo Concertant |
| Poulenc | Concerto for 2 pianos |
| Copland | Short Symphony |
| Crawford Seeger | Two Ricercari |
| Shostakovich | Lady Macbeth of the Mtsensk District |
| 1933 | Schoenberg | Concerto for string quartet and orchestra (after Handel) |
| Ravel | Don Quichotte à Dulcinée |
| Hindemith | Mathis der Maler |
| Messiaen | L’ascension |
| 1934 | Schoenberg | Suite in G major |
| Webern | Concerto, op. 24 |
| Varèse | Ecuatorial |
| Prokofiev | Lieutenant Kijé |
| Shostakovich | Jazz Suite No. 1 |
| 1935 | Schmitt | Sonatine en trio |
| Vaughan Williams | Symphony No. 4 |
| Webern | Fuga (Ricercata) a 6 voci (Bach) |
| Berg | Violin Concerto |
| | Lulu (incomplete) |
| Prokofiev | Violin Concerto No.2 , op.63 |
| Martinu | Concerto for harpsichord |
| Hanson | Drum Taps |
| Poulenc | Suite francaise |
| Ginastera | Panambi |
| 1936 | Vaughan Williams | Dona nobis pacem |
| Schoenberg | Violin Concerto, op. 36 |
| | String quartet No. 4, op. 37 |
| Bartók | Music for Strings, Percussion, and Celesta |
| Prokofiev | Romeo and Juliet , op.64 |
| | Peter and the Wolf , op.67 |
| Copland | El salón Mexico |
| McPhee | Tabuh-Tabuhan |
| Barber | Adagio for Strings |
| 1937 | Prokofiev | Cantata (20th Anniversary of the October Revolution), op.74 |
| Revueltas | Homenaje a Federico Garcia Lorca |
| Poulenc | Mass |
| Ellington | Diminuendo in Blue and Crescendo in Blue |
| Barber | Essay for Orchestra No. 1 |
| Shostakovich | Symphony No. 5 |
| 1938 | Schoenberg | Kol Nidre, op. 39 |
| Stravinsky | Concerto in E-flat "Dumbarton Oaks" |
| Villa-Lobos | Bachianas Brasileiras No. 5 |
| Martin | Sonata da chiesa |
| Poulenc | Concerto for organ |
| Copland | Billy the Kid |
| Shostakovich | Jazz Suite No. 2 |
| Cage | Bacchanale |
| 1939 | Schoenberg | Chamber Symphony No. 2, op. 38 (1906/1939) |
| Bartók | Mikrokosmos, Book VI |
| Webern | Cantata No. 1 (Jone), op. 29 |
| Prokofiev | Alexander Nevsky, op.78 |
| Poulenc | Sextet |
| Dallapiccola | Volo di notte |
| Messiaen | Les corps glorieux |
| Schuman | American Festival Overture |
| 1940 | Stravinsky | Tango |
| | Symphony in C |
| Webern | Variations, op. 30 |
| Poulenc | Banalités |
| Harris | Symphony No. 4: "Folksong Symphony" |
| 1941 | Strauss | Capriccio |
| Schoenberg | Variations on a Recitative, op. 40 |
| Dallapiccola | Canti de Prigionia |
| Shostakovich | Symphony No.7, "Leningrad" |
| Messiaen | Quatuor pour la fin du temps |
| 1942 | Schoenberg | Ode to Napoleon, op. 41 |
| | Piano Concerto, op. 42 |
| | Theme and Variations, op. 43 |
| | Piano Concerto, op. 42 |
| Prokofiev | Piano Sonata No.7, op.83 |
| Copland | Lincoln Portrait |
| | Rodeo |
| Britten | A Ceremony of Carols |
| 1943 | Webern | Cantata No. 2 (Jone), op. 31 |
| Prokofiev | War and Peace, op.91 |
| | Sonata for Flute and Piano, op.94 |
| Hindemith | Symphonic Metamorphosis on a Theme of Weber |
| | Ludus Tonalis |
| Poulenc | Figure Humaine |
| Messiaen | Visions de l’amen |
| Britten | Rejoice in the Lamb |
| | Serenade |
| 1944 | Prokofiev | Symphony No.5, op.100 |
| Copland | Appalachian Spring |
| Messiaen | Vingt regards sur l'enfant Jesus |
| Barber | Capricorn Concerto |
| 1945 | Bartók | Piano Concerto No. 3 |
| Stravinsky | Ebony Concerto |
| Hindemith | A Requiem for Those We Love |
| 1946 | Schoenberg | String Trio, op. 45 |
| de Falla | Atlántida (incomplete) |
| Honegger | Symphony No. 3 "Liturgique" |
| Copland | Symphony No. 3 |
| Britten | Variations and Fugue on a Theme by Purcell |
| P. Boulez | Sonatine |
| 1947 | Schoenberg | A Survivor from Warsaw, op. 46 |
| Thomson | Mother of Us All |
| Poulenc | Les mamelles de Tirésias |
| Barber | Knoxville "Summer of 1915" |
| Panufnik | Lullaby |
| M. Babbitt | Three Compositions for Piano |
| 1948 | Stravinsky | Mass |
| Messiaen | Cantéyodayâ |
| Schaeffer | Etude aux chemins de fer |
| | Etude aux casseroles |
| M. Babbitt | Composition for Twelve Instruments (rev. 1954) |
| P. Boulez | Second Piano Sonata |
| 1949 | Honegger | Concerto de camera |
| Messiaen | Mode de valeurs et d'intensité |
| Schaeffer | Variations sur une flute mexicaine |
1950--> | C. Nancarrow | Studies for Player Piano |
| 1950 | Copland | Piano Quartet |
| Messiaen | Messe de la Pentecote |
| P. Henry | Symphonie pour un homme seul |
| 1951 | Stravinsky | The Rake's Progress |
| Thomson | Five Songs of William Blake |
| Cage | Imaginary Landscapes, No. 4 |
| M. Babbitt | Du |
| K. Stockhausen | Kreuzspiel |
| 1952 | Stravinsky | Cantata |
| Luening | Fantasy in Space |
| Crawford Seeger | Suite for Woodwind Quintet |
| H. Badings | Capriccio for Violin and 2 Sound-Tracks |
| V. Ussachevsky | Sonic Contours |
| Cage | Williams Mix |
| Ginastera | Piano Sonata |
| P. Boulez | Structures I |
| 1953 | Stravinsky | Septet |
| | Three Shakespeare Songs |
| Sessions | Violin Sonata |
| K. Stockhausen | Klavierstücke I-IV |
| 1954 | Stravinsky | In Memoriam Dylan Thomas |
| Varèse | Déserts |
| I. Xenakis | Metastasis |
| P. Boulez | Le marteau sans maître |
| K. Stockhausen | Elektronische Study II |
| 1955 | Stravinsky | Canticum Sacrum |
| | Chorale Variations, "Von Himmel Hoch" |
| K. Stockhausen | Klavierstücke V-X |
| P. M. Davies | Hymnos |
| 1956 | G. Ligeti | Artikulation |
| Nono | II canto sospeso |
| H. W. Henze | Five Neapolitan Songs |
| K. Stockhausen | Klavierstücke XI |
| A. Volkonsky | Musica stricta |
| 1957 | Stravinsky | Agon |
| Copland | Piano Fantasy |
| Barber | Vanessa |
| Shostakovich | Symphony No.11, "The Year 1905" |
| M. Babbitt | All Set |
| Hiller | Illiac Suite |
| P. Boulez | Piano Sonata No. 3 (work-in-progress) |
| 1958 | Stravinsky | Threni |
| Varèse | Poème électronique |
| Messiaen | Catalogue d’oiseaux |
| Lutoslawski | Musique funèbre |
| I. Xenakis | Concret P-H |
| L. Berio | Thema: Omaggio à Joyce |
| | Sequenza I for flute |
| H. Pousseur | Scambi |
| 1959 | Stravinsky | Movements |
| | Double Canon |
| E. Carter | String Quartet No. 2 |
| Serocki | Episodes |
| K. Stockhausen | Refrain |
| 1960 | Shostakovich | String Quartet No. 8 "To the Victims of Fascism and War" |
| Messiaen | Cronochromie |
| Britten | A Midsummer Night's Dream |
| L. Berio | Circles |
| | Momenti |
| K. Stockhausen | Kontakte |
| M. Kagel | Transicion |
| K. Penderecki | Threnody for the Victims of Hiroshima |
| A. Volkonsky | Mirror Suite |
| 1961 | Stravinsky | A Sermon, a Narrative and a Prayer |
| Shostakovich | Symphony No.12, "The Year 1912" |
| | Symphony No.13, "Babi Yar" |
| Partch | Revelation in the Courthouse Park |
| E. Carter | Double Concerto for Harpsichord and Piano |
| M. Babbitt | Composition for Synthesizer |
| | Vision and Prayer |
| Serocki | Segmenti |
| L. Foss | Echoi |
| L. Berio | Visage |
| E. Brown | Available Forms I |
| 1962 | Stravinsky | Anthem: The Dove descending breaks the air |
| | The Flood |
| Hindemith | Concerto for organ |
| Copland | Connotations |
| Britten | War Requiem |
| G. Ligeti | Volumina |
| Nono | Canti di vita e d'amore: sul ponte di Hiroshima |
| M. Davidovsky | Electronic Study No. 2 |
| 1963 | Stravinsky | Abraham and Isaac |
| Messiaen | Couleurs de la cité celeste |
| Lutoslawski | Trois poèmes d’Henri Michaux |
| L. Berio | Sequenza II for harp |
| H. W. Henze | Being Beauteous |
| 1964 | Stravinsky | Elegy for J.F.K. |
| | Variations |
| Messiaen | Et exspecto resurrectionem mortuorum |
| Harris | Symphony No. 10: "Abraham Lincoln" |
| Ginastera | Don Rodrigo |
| M. Babbitt | Philomel |
| Zimmermann | Die Soldaten |
| Serocki | Symphonic Frescoes |
| Feldman | The King of Denmark |
| K. Stockhausen | Momente |
| | Mikrophonie I |
| R. Ashley | The Wolfman |
| G. Mumma | Music for the Venezia Space Theatre |
| T. Riley | In C |
| 1965 | Stravinsky | Introitus |
| Sessions | Third Piano Sonata |
| Britten | Songs and Proverbs of William Blake |
| M. Babbitt | Relata I |
| L. Berio | Sequenza III for voice |
| K. Gaburo | Lemon Drops |
| P. Oliveros | Bye Bye Butterfly |
| 1966 | Stravinsky | Requiem Canticles |
| Barber | Antony and Cleopatra |
| L. Berio | Sequenza IV for piano |
| | Sequenza V for trombone |
| H. W. Henze | Double Concerto |
| Druckman | Animus I |
| K. Stockhausen | Telemusik |
| E. Denisov | Plachi |
| A. Goehr | Piano Trio |
| R. Shchedrin | Piano Concerto No.2 |
| R. M. Schafer | Requiem for a Party-Girl |
| 1967 | Copland | Inscape |
| Ginastera | Bomarzo |
| L. Berio | Sequenza VI for viola |
| M. Subotnick | Silver Apples of the Moon |
| S. Reich | Violin Phase |
| J. Tenney | Viet Flakes: Collage No. 2 |
| The Beatles | Sergeant Pepper’s Lonely Hearts Club Band |
| 1968 | Sessions | Symphony No. 8 |
| Dallapiccola | Ulisse |
| Shostakovich | Violin Sonata |
| | String Quartet No.12 |
| G. Ligeti | Continuum |
| L. Berio | Sinfonia |
| H. W. Henze | Das Floss der 'Medusa' |
| Martirano | L’s GA |
| A. Shnittke | Quasi una sonata |
| W. Carlos | Switched-on Bach |
| D. Erb | In No Strange Land |
| 1969 | Partch | Delusion of the Fury |
| Shostakovich | Symphony No.14 |
| Messiaen | Meditations sur le mystère de la Sainte Trinité |
| L. Berio | Sequenza VII for oboe |
| P. Boulez | Domaines |
| P. M. Davies | Eight Songs for a Mad King |
| V. Globokar | Discours III |
| C. Wuorinen | Time’s Encomium |
| J. Hendrix | Star-Spangled Banner |
| 1970 | Sessions | When Lilacs Last in the Dooryard Bloom'd |
| Dallapiccola | Sicut umbra |
| Messiaen | La fauvette des jardins |
| K. Stockhausen | Mantra |
| | Opus 1970 (Stockhoven-Beethausen) |
| C. Wuorinen | Grand Bamboula |
| G. Crumb | Black Angels |
| | Ancient Voices of Children |
| M. Dlugoszewski | Space is A Diamond |
| P. M. Davies | Turris Campanarum Sonantium (Bell Tower) |
| H. Holliger | Pneuma |
| 1971 | Copland | Duo |
| Krenek | Orga-nostro |
| Shostakovich | Symphony No. 15 |
| E. Carter | String Quartet No. 3 |
| Bernstein | Mass |
| K. Stockhausen | Sternklang |
| V. Globokar | Atemstudie |
| H. Holliger | Studie über Mehrklänge |
| | Cardiophonie |
| W. Albright | Organ Book II |
| 1972 | M. Tippett | Symphony No. 3 |
| G. Perle | Sonata quasi una fantasia |
| L. Berio | Recital for Cathy (I) |
| M. Kagel | Exotica |
| P. M. Davies | Hymn to St. Magnus |
| S. Reich | Clapping Music |
| 1973 | G. Perle | String Quartet No. 7 |
| G. Ustvolskaya | Composition No. 2: Dies Irae |
| Nono | Siamo in gioventu del Vietnam |
| Henze | Voices |
| R. Shchedrin | Piano Concerto No.3 |
| V. Globokar | Echanges |
| 1974 | Messiaen | Des canyons aux étoiles |
| M. Babbitt | Phonemena (version for voice and tape) |
| | Arie da capo |
| | Reflections |
| P. Boulez | Rituel: In memoriam Bruno Maderna |
| H. W. Henze | Tristan |
| M. Davidovsky | Synchronisms No. 8 |
| A. Schnittke | Symphony No. 1 |
| 1975 | Britten | Suite on English Folk Tunes |
| K. Stockhausen | Harlekin |
| P. Glass | Einstein on the Beach |
| 1976 | N. Rorem | A Quaker Reader |
| H. Górecki | Symphony No. 3 |
| C. Rouse | Ogoun Badagris |
| 1977 | G. Ligeti | Le grand macabre |
| L. Berio | Sequenza VIII for violin |
| A. Pärt | Sarah was Ninety Years Old |
| The Residents | Beyond the Valley of a Day in the Life |
| 1978 | J. Maceda | Ading |
| C. Rouse | Ku Ka-Ilimoku |
| 1979 | Takemitsu | In an Autumn Garden |
| M. Monk | Dolmen Music |
| 1980 | L. Berio | Sequenza IX for clarinet/sax |
| J. Harvey | Mortuos Plango, Vivos Voco |
| C. Dodge | Any Resemblance is Purely Coincidental |
| T. Machover | Soft Morning, City |
| Art Ensemble of Chicago | Full Force |
| 1981 | N. Rorem | Views from the Oldest House |
| B. Ferneyhough | Lemma-Icon-Epigram |
| 1982 | R. M. Schafer | The Crown of Ariadne |
| | Princess of the Stars |
| G. Branca | Symphony No. 2 (The Peak of the Sacred) |
| A. Iglesias-Rossi | Ancestral Rites of a Forgotten Culture |
| 1983 | E. Carter | Night Fantasies |
| I. Xenakis | Tetras |
| 1984 | K. Penderecki | Polish Requiem |
| H. Birtwistle | Secret Theatre |
| Zappa | The Perfect Stranger |
| 1985 | L. Berio | Sequenza X for trumpet |
| L. Andreissen | De Stijl |
| 1986 | W. Albright | Chasm |
| D. Galás | Masque of the Red Death |
| 1993 | G. Lewis | Voyager |
| 1994 | L. Anderson | Night in Baghdad |
| T. Dun | Ghost Opera |
| 1995 | L. Anderson | The Cultural Ambassador |
| J. Harley | Tyee |
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