Polish Music Journal
Vol. 1, No. 1. Summer 1998.
ISSN 1521 - 6039
Authentic Troupes and Inauthentic Tropes:
Performance Practice in Górale Music
Timothy J. Cooley
List of Musical Examples
-
Example 1 (137k): Krzysztof Trebunia and Paweł Staszel perform in the double-lead
style, during the 1992 Zakopane Festival. Transcription from the recording by the author.
-
Example 2 (40k): Skalni with Krzysztof Trebunia and Paweł Staszel
alternating the lead violin part, winning performance at the 1992 Zakopane Festival.
Transcription from the recording by the author.
-
Example 3 (13k): Władysław Trebunia's demonstration of the second-lead
(lead violin 2) part during the 1995 Poroniańskie Lato (Poronin Summer). Transcription by the author.
- Example 4 (11k):
Władysław Trebunia's demonstration of the first-lead
(lead violin 1) part during the 1995 Poroniańskie Lato (Poronin Summer).
Transcription by the author.
- Example 5 (7k):
Władysław Trebunia's demonstration of the continuation of the second-lead
(lead violin 2) part (bars 4-6). Ibidem.
- Example 6 (10k):
Władysław Trebunia's demonstration of the
first-accompaniment part
(violin II{1}). Note the unvarying bowing on the quarter note beats with
slurred ornaments in between. Ibidem.
- Example 7 (9k):
Władysław Trebunia's demonstration of five beats from the second-accompaniment part
(violin II{2}). Ibidem.
- Example 8 (11k).
Władysław Trebunia's demonstration of six bars from the first accompaniment part. Ibidem.
- Example 9 (30k).
Ensemble score constructed by the author from the elements demonstrated by Władysław Trebunia in ex. 5-8.
Double-lead violin style.
-
Example 10 (43k):
Mierczyński's transcription of the single-lead violin style, a version of the same tune
that was performed by Trebunia. #10, "Czorsztyńska." Layout by the author.
Figures
- Figure 1
(47k):
Cover of the 1973 PWM reprint of Stanisław Mierczyński's Muzyka Podhala.
Editor: Maria Anna Harley. Publisher: Polish Music Reference Center
Design: Maria Anna Harley & Marcin Depinski. 20 July - 22 September 1998.
Comments and inquiries by e-mail: polmusic@email.usc.edu