Polish Music Journal
Vol. 1, No. 1. Summer 1998. ISSN 1521 - 6039


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Authentic Troupes and Inauthentic Tropes:
Performance Practice in Górale Music

Timothy J. Cooley

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List of Musical Examples

  • Example 1 (137k): Krzysztof Trebunia and Paweł Staszel perform in the double-lead style, during the 1992 Zakopane Festival. Transcription from the recording by the author.

  • Example 2 (40k): Skalni with Krzysztof Trebunia and Paweł Staszel alternating the lead violin part, winning performance at the 1992 Zakopane Festival. Transcription from the recording by the author.

  • Example 3 (13k): Władysław Trebunia's demonstration of the second-lead (lead violin 2) part during the 1995 Poroniańskie Lato (Poronin Summer). Transcription by the author.

  • Example 4 (11k): Władysław Trebunia's demonstration of the first-lead (lead violin 1) part during the 1995 Poroniańskie Lato (Poronin Summer). Transcription by the author.

  • Example 5 (7k): Władysław Trebunia's demonstration of the continuation of the second-lead (lead violin 2) part (bars 4-6). Ibidem.

  • Example 6 (10k): Władysław Trebunia's demonstration of the first-accompaniment part (violin II{1}). Note the unvarying bowing on the quarter note beats with slurred ornaments in between. Ibidem.

  • Example 7 (9k): Władysław Trebunia's demonstration of five beats from the second-accompaniment part (violin II{2}). Ibidem.

  • Example 8 (11k). Władysław Trebunia's demonstration of six bars from the first accompaniment part. Ibidem.

  • Example 9 (30k). Ensemble score constructed by the author from the elements demonstrated by Władysław Trebunia in ex. 5-8. Double-lead violin style.

  • Example 10 (43k): Mierczyński's transcription of the single-lead violin style, a version of the same tune that was performed by Trebunia. #10, "Czorsztyńska." Layout by the author.
Figures

  • Figure 1 (47k): Cover of the 1973 PWM reprint of Stanisław Mierczyński's Muzyka Podhala.

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Editor: Maria Anna Harley. Publisher: Polish Music Reference Center
Design: Maria Anna Harley & Marcin Depinski. 20 July - 22 September 1998.
Comments and inquiries by e-mail: polmusic@email.usc.edu