©
Polish Music Journal
Vol. 2, Nos. 1-2. 1999.
ISSN 1521 - 6039
Alienation and Powerlessness: Bibliography Dorota Zakrzewska
Adam Mickiewicz's "Ballady" and Chopin's Ballades
![]()
Abbate, Carolyn. "What the Sorcerer Said." Nineteenth-Century Music 12, no.3 (1989): 221-230.
Abraham, Gerald. Chopin's Musical Style. London: Oxford University Press, 1960.
Atwood, William G. Fryderyk Chopin: Pianist from Warsaw. New York: Columbia University Press, 1987.
Berger, Karol. "The Form of Chopin's Ballade, Op.23." Nineteenth-Century Music 20, no.1 (1996): 46-71.
Chomiński, Józef M. Chopin. Kraków: Polskie Wydawnictwo Muzyczne, 1978.
Chopin, Fryderyk. Ballades. In Complete Works Vol. 3. Ed. I. J. Paderewski, L. Bronarski, and J. Turczyński. Kraków: Instytut Fryderyka Chopina and Polskie Wydawnictwo Muzyczne, 1986.
Chopin, Fryderyk Franciszek. Chopin's Letters. Collected by Henryk Opieński. Translated by E. L. Voynich. United States: Desmond Harmsworth, 1932.
Chopin, Fryderyk. Korespondencja Fryderyka Chopina z George Sand i z Jej Dzićemi. Ed. Krystyna Kobylańska. Warsaw: Państwowy Instytut Wydawniczy, 1981.
Chopin, Fryderyk. Pieśni. In Complete Works Vol. 17. Ed. I. J. Paderewski, L. Bronarski, and J. Turczyński. Kraków: Instytut Fryderyka Chopina and Polskie Wydawnictwo Muzyczne, 1986.
Czartkowski, Adam and Zofia Jeżewska. Fryderyk Chopin. Warsaw: Państwowy Instytut Wydawniczy, 1981.
Dackiewicz, Jadwiga. O Francji, O Tęsknocie, Czyli Każdy Kochał Inaczej. Łódź: Wydawnictwo Łódzkie, 1974.
Dahlhaus, Carl. Nineteenth-Century Music. Translated by J. Bradford Robinson. Berkeley: University of California Press, 1989.
Daverio, John. Nineteenth-Century Music and the German Romantic Ideology. New York: Schirmer Books, 1993.
Ehlert, Louis. From the tone World: A Series of Essays. Translated by Helen D. Tretbar. Freeport, New York: Books for Libraries Press, 1885.
Eigeldinger, Jean Jacques. Chopin: Pianist and Teacher as Seen by His Pupils. Cambridge: Cambridge University Press, 1986.
Entwistle, William J. European Balladry. Oxford: Oxford University Press, 1969.
Ferra, Bartomeu. Chopin and George Sand in the Cartuja de Valldemosa. Translated by James Webb. Palma de Mallorca, 1932.
Gerould, Gordon Hall. The Ballad of Tradition. Oxford: Clarendon Press, 1932.
Gide, André. Notes on Chopin. Translated by Bernard Frechtman. Westport, Connecticut: Greenwood Press, 1978.
Griffel, Michael L. "The Sonata Design In Chopin's Ballades." Current Musicology 36 (1983): 125-136.
Gronowicz, Antoni. Chopin. New York: Thomas Nelson and Sons, 1943.
Hadden, J. Cuthbert. Chopin. London: J. M. Dent & Sons, 1921.
Hatten, Robert. "On Narrativity in Music: Expressive Genres and Levels of Discourse in Beethoven." Indiana Theory Review 12 (1991): 75-98.
Holcman, Jan. The Legacy of Chopin. New York: Philosophical Library, 1954.
Honderich, Ted, Ed. The Oxford Companion to Philosophy. New York: Oxford University Press, 1995.
Huneker, James. Chopin: The Man and His Music. New York: Dover Publications, 1966.
Iwaszkiewicz, Jarosław. Chopin. Kraków: Polskie Wydawnictwo Muzyczne, 1984.
Jarociński, Stefan, Ed. Antologia Polskiej Krytyki Muzycznej XIX i XX Wieku. Kraków: Polskie Wydawnictwo Muzyczne, 1955.
Johnson, Mark. The Body in the Mind: The Bodily Basis of Meaning, Imagination, and Reason. Chicago: The University of Chicago Press, 1987.
Jonson, George Charles Ashton. A Handbook to Chopin's Works. Boston: Longwood Press, 1978.
Kallberg, Jeffrey. Chopin at the Boundaries: Sex, History, and Musical Genre. Cambridge, Massachusetts: Harvard University Press, 1996.
Kallberg, Jeffrey. "Chopin in the Marketplace: Aspects of the International Music Publishing Industry in the First Half of the Nineteenth Century." MLA Notes (1983): 535-569; 795-824.
Kallberg, Jeffrey. "The Rhetoric of Genre: Chopin's Nocturne in G Minor." Nineteenth-Century Music 11, no.3 (1988): 238-261.
Karasowski, Moritz. Frederic Chopin: His Life and Letters. Translated by Emily Hill. Westport, Connecticut: Greenwood Press, 1970.
Keefer, Lubov. "The Influence of Adam Mickiewicz on the Ballades of Chopin." American Slavic and East European Review Vol.5 (1946): 38-50.
Kelley, Edgar Stillman. Chopin the Composer: His Structural Art and Its Influence on Contemporaneous Music. New York: G. Schirmer, 1913.
Kramer, Lawrence. Music and Poetry: The Nineteenth Century and After. Berkeley: University of California Press, 1984.
Kramer, Lawrence. Music as Cultural Practice, 1800-1900. Berkeley: University of California Press, 1990.
Kramer, Lawrence. "Musical Narratology: A Theoretical Outline." Indiana Theory Review 12 (1991): 141-162.
Kramer, Lawrence. "Romantic Meaning in Chopin's Prelude in A Minor." Nineteenth-Century Music 9, no.2 (1985): 145-155.
Krzyżanowski, Julian. A History of Polish Literature. Warsaw: Polish Scientific Publishers, 1978.
Krzyżanowski, Julian, Ed. Literatura Polska: Przewodnik Encyklopedyczny. Warsaw: Państwowe Wydawnictwo Naukowe, 1984.
Krzyżanowski, Julian and Ryszard Wojciechowski, Eds. Ludowość u Mickiewicza. Warsaw: Państwowy Instytut Wydawniczy, 1958.
Leichtentritt, Hugo. Friedrich Chopin. Berlin: Schlefifche Verlagsanftalt, 1920.
Lenz, Wilhelm von. The Great Piano Virtuosos of our Time from Personal Acquaintance. Translated by Madeleine R. Baker. New York: Da Capo Press, 1973.
Lissa, Zofia. Studia nad Twórczością Fryderyka Chopina. Kraków: Pastwowe Wydawnictwo Muzyczne, 1970.
Liszt, Franz. Frederic Chopin. Translated by Edward N. Waters. London: Collier-Macmillan, 1963.
Maus, Fred Everett. "Music as Narrative." Indiana Theory Review 12 (1991): 1-34.
McCreless, Patrick. "The Hermeneutic Sentence and Other Literary Models for Tonal Closure." Indiana Theory Review 12 (1991): 35-74.
Methuen-Campbell, James. Chopin Playing from the Composer to the Present Day. London: Victor Gollancz, 1981.
Mickiewicz, Adam. Ballady i Romanse. In Dzieła Wszystkie Vol. 1. Warsaw: Czytelnik, 1983.
Mickiewicz, Adam. Dziady. In Dzieła Wszystkie Vol.3. Warsaw: Czytelnik, 1983.
Mickiewicz, Adam. Księgi Narodu Polskiego i Pielgrzymstwa Polskiego. In Dzieła Wszystkie Vol. 2. Warsaw: Czytelnik, 1983.
Mickiewicz, Adam. Pan Tadeusz. In Dzieła Wszystkie Vol.4. Warsaw: Czytelnik, 1983.
Mickiewicz, Adam. Selected Poetry and Prose. Ed. Stanisaw Helsztyski. Translated by George Rapall Noyes and Jewell Parish. Warsaw: Polonia Publishing House, 1955.
Murdoch, William. Chopin: His Life. Westport, Connecticut: Greenwood Press, 1971.
Namier, Lewis. 1848: The Revolution of the Intellectuals. Garden City, New York: Anchor Books, 1964.
Nattiez, Jean Jacques. Music and Discourse: Toward a Semiology of Music. Translated by Carolyn Abbate. Princeton: Princeton University Press, 1990.
Newcomb, Anthony. "Schumann and Late Eighteenth-Century Narrative Strategies." Nineteenth-Century Music 11, no.2 (1987): 164-174.
Niecks, Frederick. Frederick Chopin As a Man and Musician. London: Novello, Ewer, 1888.
Paderewski, Ignacy Jan. Chopin: A Discourse by I. J. Paderewski. Translated by Laurence Alma Tadema. London: W. Adlington, 1911.
Parakilas, James. Ballads Without Words: Chopin and the Tradition of the Instrumental Ballade. Portland, Oregon: Amadeus Press, 1992.
Podhorski-Okolow Leonard. Realia Mickiewiczowskie. Kraków: Pastwowy Instytut Wydawniczy, 1952.
Przyboś, Julian. Czytając Mickiewicza. Warsaw: Państwowy Instytut Wydawniczy, 1965.
Rink, John and Jim Samson, Eds. Chopin Studies 2. Cambridge: Cambridge University Press, 1994.
Rosen, Charles. The Romantic Generation. Cambridge: Harvard University Press, 1995.
Samson, Jim. "Chopin and Genre." Music Analysis Vol.8 (1989): 213-231.
Samson, Jim, Ed. Chopin Studies. Cambridge: Cambridge University Press, 1988.
Samson, Jim. Chopin: The Four Ballades. Cambridge: Cambridge University Press, 1992.
Samson, Jim, Ed. The Cambridge Companion to Chopin. Cambridge: Cambridge University Press, 1992.
Samson, Jim. The Music of Chopin. London: Routledge & Kegan Paul, 1985.
Schumann, Robert. On Music and Musicians. Translated by Paul Rosenfeld. New York: Pantheon Books, 1952.
Siepmann, Jeremy. Chopin: The Reluctant Romantic. Boston: Northeastern University Press, 1995.
Stępień Marian, and Aleksander Wilkoń, Eds. Historia Literatury Polskiej w Zarysie. Warsaw: Państwowe Wydawnictwo Naukowe, 1980.
Stevens, Jessica Rose. "Formal Considerations in Chopin's Last Works: Performance Problems." Doctor of Musical Arts Dissertation. University of Washington, 1984.
Tarasti, Eero. "Beethoven's Waldstein and the Generative Course." Indiana Theory Review 12 (1991): 99-140.
Tatarkiewicz, Władysław. Historia Filozofii. Warsaw: Państwowe Wydawnictwo Naukowe, 1988.
Tomaszewski, Mieczysław. "Fryderyk Chopin." In Encyklopedia Muzyczna: Część Biograficzna. Ed. Elżbieta Dziębowska. Kraków: Polskie Wydawnictwo Muzyczne, 1984: Vol.II, pp.108-192.
Treitler, Leo. "What Kind of Story is History?" Nineteenth-Century Music 7, no. 3 (1984): 363-373.
Wagner, Gunther. Die Klavierballade um die Mitte des 19. Jahrhunderts. Munchen: Musikverlag Emil Katzbichler, 1976.
Walicki, Andrzej. Filozofia a Mesjanizm: Studia z Dziejów Filozofii i Myśli Społeczno - Religijnej Romantyzmu Polskiego. Warsaw: Państwowy Instytut Wydawniczy, 1970.
Walicki, Andrzej. Philosophy and Romantic Nationalism: The Case of Poland. New York: Oxford University Press, 1982.
Walker, Alan, Ed. The Chopin Companion: Profiles of The Man and The Musician. New York: W. W. Norton & Company, 1973.
Ważyk, Adam. Mickiewicz i Wersyfikacja Narodowa. Warsaw: Czytelnik, 1954.
Weinstock, Herbert. Chopin: The Man and His Music. New York: Alfred A. Knopf, 1949.
Welsh, David. Adam Mickiewicz. New York: Twayne Publishers, 1966.
Wilkowska, Krystyna. "Środki Wyrazu Emocjonalnego w Balladach Chopina." Kwartalnik Muzyczny (October-December 1949): 156-185.
Ya Deau, William Ronald. "Tonal and Formal Structure in Selected Larger Works of Chopin." Doctor of Musical Arts Thesis. University of Illinois, 1980.
Zieliński, Tadeusz Andrzej. Chopin: Życie i Droga Twórcza. Kraków: Polskie Wydawnictwo Muzyczne, 1993.
Abstract
Article's Text
List of Tables and Examples
Author's Biography
PMJ - Current Issue

![]()
© Copyright 1999 by Dorota Zakrzewska.
Editor: Maria Anna Harley. Publisher: Polish Music Reference Center
Design: Maria Anna Harley & Marcin Depinski. Summer 1999.
Comments and inquiries by e-mail: polmusic@email.usc.edu