FILM PREMIERE

An original film score composed by PMC Director Marek Zebrowski is featured in the new documentary film, The Labyrinth, created by Director/Producer/Writer Jason A. Schmidt and Writer/Producer, Ron Schmidt, S.J. The Labyrinth will premiere on August 13th, 2010 at 7:55 pm at the Arclight Cinema-Hollywood. There will be further screenings of the film throughout the week of Aug. 13-19 as a part of Docuweeks.

The Labyrinth is an immersion into the artwork and testimony of Auschwitz survivor, Marian Kołodziej, a Polish Catholic who was sent to the camp on the first day it opened. This is a moving film about resilience and hope in the midst of unbelievable suffering. This unique documentary focuses on Mr. Kołodziej's extensive graphic pen and ink drawings and testimony about his experiences in the death camp. After liberation, Mr. Kołodziej went on to become a noted set and costume designer in theater and film.

Filmed on location at the St. Maximilian Kolbe Franciscan Center near Auschwitz, Poland, the film features Roman Czarny as the voice of Marian Kołodziej.

For tickets and information, please visit: www.newamericanvision.com. The filmmakers will be on hand after each screening for Q&A sessions.

WARSZAWSKA JESIEŃ 2010

The 53rd edition of the International Festival of Contemporary Music ‘Warsaw Autumn’ [Warszawska Jesień], one of the most highly regarded and longest running festivals of its kind in the world, will take place in Warsaw between September 17-25, 2010. The main topic of this year’s Festival is the keyboard in its broad sense, featuring a number of works for various keyboard instruments, ‘keyboards’ of percussion instruments, as well as computer keyboards. Among them, works for nontraditional keyboards, with cross-tuning, prepared sounds, electronics, installations, and conceptual works. With this ‘keyboard’ topic, Warsaw Autumn symbolically adheres to the 200th anniversary of Fryderyk Chopin and the ongoing Chopin Year, and the spectacular multimedia installations related on the subject of Chopin that will be shown in urban spaces around Warsaw do so even more directly.

The inaugural concert of the Warsaw Autumn 2010 will feature the first performance of a new work by Zygmunt Krauze for four pianos and orchestra. The same scoring is used by Tomasz Sikorski in his Omaggio (in memoriam Jorge Louis Borges), and the program will be rounded out by Louis Andriessen’s Haags Hakkûh for two pianos and orchestra. On that same evening, a new composition by Paweł Szymański, commissioned by the Adam Mickiewicz Institute on the occasion of its tenth anniversary, will be performed during the Institute’s gala concert at the National Philharmonic. The work is scored for piano and 8 harps.

The 53rd Warsaw Autumn Festival will feature premieres of compositions by Gordon Monahan, Zygmunt Krauze, Paweł Szymański, Maja Ratkje, Ørjan Matre, Eivind Buene, Christian Eggen, Włodzimierz Kotoński, Rytis Mažulis, Marcin Bortnowski, Doina Rotaru, Marcin Stańczyk, Jarosław Kapuściński, Agata Zubel, Hanna Kulenty, Lidia Zielińska, Wojciech Ziemowit Zych, Jerzy Kornowicz, and Cristian Lolea. The majority of these works are Warsaw Autumn commissions.

Performers will include the orchestras of the National Philharmonic, Sinfonia Iuventus and Sinfonia Varsovia as well as chamber orchestras and ensembles such as Österreichisches Ensemble für Neue Musik, Oslo Sinfonietta, Les Percussions de Strasbourg, Aukso Tychy City Chamber Orchestra, Ensemble Nikel, European Workshop for Contemporary Music, Kwadrofonik, De Ereprijs, and musikFabrik. Conductors will include Reinbert de Leeuw, Christian Eggen, Marek Moś, Rüdiger Bohn, René Gulikers, Emilio Pomarico, Étienne Siebens, among others.

As always, the Warsaw Autumn Festival is not only a celebration of Polish composers, but of contemporary composers worldwide. In this spirit, the Festival will also feature an international collaboration between the Norwegian network for Technology, Acoustics and Music (NoTAM) [Norsk nettverk for Teknologi, Akustikk og Musikk] and the Chopin University of Music in Warsaw. The project, entitled "Electronics meet the challenges of the 21st century," is dedicated to the promotion of new technologies applied in contemporary electro-acoustic music and will culminate in a concert (September 22) and a conference (September 23-25). Read more about this event on the website of the organizing body, www.artmusfair.pl.

[Sources: “About the 53rd Warsaw Autumn” program available at warszawska-jesien.art.pl, artmusfair.pl]

INT’L CHOPIN FESTIVAL IN DUSZNIKI ZDROJ

From August 6-14, the International Chopin Festival will be filled—just like it is every year—with concerts, recitals and master classes. A substantial number of Polish and foreign artists are expected to participate. “The unique fact about the Festival is that it is the oldest piano festival—not only a Chopin-themed festival—in the world,” according to Piotr Paleczny, the Festival’s Director and a prominent Polish pianist. “A huge advantage of this Festival is its chamber-like setting: we have no large concert hall but the stage where, many years ago, Chopin performed solo in 1826. This fact evokes a great deal of respect from the performers and it ennobles our Festival. There are practically no other Festivals anywhere which have this kind of a historical and long-lasting tradition.”

The inaugural concert, held in the Festival Tent inside the City Park, will be given by the Wrocław Philharmonic Orchestra and soloist Piotr Paleczny. The remaining concerts will be heard in Chopin’s former residence. Many former finalists from the Chopin International Piano Competition were invited to perform. The 1990 Second Prize Winner, Kevin Kenner will be heard in recital on Saturday, August 7. The following Monday the public will hear Sa Chen (Fourth Prize winner from the year 2000) and Dang Thai Son (Winner of the 1980 Competition). Jean-Marc Luisada (Fifth Prize, 1985 Competition) will perform on August 13, whilst pianists Ayako Uehary and Stanisław Bunin will be heard on August 8, Nelson Goerner on August 11, Fabio Bindini on August 14, and Ewa Kupiec—a native of Duszniki—on August 12.  

As usual, many other young and talented artists—winners of prestigious piano competitions from all around the world—will also be heard. Yuja Wang, a winner of the Aspen Music Festival Concerto Competition and the 2009 Gramophone Magazine Young Artist Award laureate will perform on Saturday, August 7. Chinese pianist from Hong-Kong, Rachel Cheung—winner of the Second Prize at the 2008 Alessandro Casagrande International Piano Competition and the Fourth Prize at the 2009 Leeds Competition—will perform a day later. The Tuesday-Saturday afternoon recital series will offer an exceptional opportunity to hear winners of the most famous competitions, including the Chroatian pianist Martina Filjak on August 10 (winner of the Cleveland Piano Competition), Russian pianist Denis Kozukhin on August 11 (the 2009 Vendome Prize in Lisbon), and his compatriot Sofya Gulyak on August 12 (the first female winner of the Leeds International Piano Competition. Two South Korean pianists, Seong-Jin Cho (First Prize, Hamamatsu International Piano Competition and Yeol Eum Son (silver Medal at the Van Cliburn International Piano Competition) will be heard on August 13 and 14. Polish pianists entering this year’s Chopin Competition in Warsaw will be heard on August 12.

The master classes that will accompany this year’s Festival will be conducted from August 6-9 by Professor Choong-Mo Kang from Seoul, and  Professor Jerome Rose from New York City (August 11-14). Professor Jan Ekier will deliver a lecture on August 10. A 12:30 p.m. Sunday, August 8 Holy Mass in the Parish Church on Kłodzka Street will be said in Chopin’s memory. During the service, a Mass by Józef Elsner will be performed by soprano Justyna Reczeniedi, Elżbieta Wróblewska, mezzo, and the Villa Musica Ensemble including violinist Józef Kolinek, violist Piotr Nowicki, cellist Piotr Hausenplast, and organist Krzysztof Marosek.

For more information and a full program, visit the official Festival website, chopin.festival.pl, or polmic.pl.

[Source: polmic.pl]

INT’L HIGHLANDERS MEET IN ZAKOPANE

The International Highlander Folklore Festival in Zakopane (August 20 - 27, 2010) will celebrate the folk culture of highland troupes from Poland alongside African tribe dance and Argentinean tango. This year marks the 42nd edition of one of the oldest and biggest folklore festivals in the world. "Folklore bands from Sierra Leone in Africa and Cordoba in Argentina will be the stars of this year's festival", says Andrzej Kawecki, the director of Zakopane's Promotion Office.

This year 12 folklore bands from Turkey, Italy, Serbia, Romania, Bosnia-Herzegovina, Slovenia, Portugal, Macedonia, Greece, France, the Czech Republic and Bulgaria will compete for the festival's main prize: The Golden Shepherd's Axe [Złota ciupaga]. These colorful troupes will take the stage of the huge Festival tent, called "the scarfed chamber" or "chuściana izba" by Polish highlanders. The Polish bands participating are selected by the jury at July's Polish Highlanders Folklore Festival in Żywiec.

[Sources: PAP, culture.pl]

AUGUSCIK TRIUMPHANT IN CHICAGO

On July 25th, the U.S. premiere of Chopin 200–Grazyna Auguscik’s World Sound took place in Chicago’s Millennium Park. In addition to jazz vocalist Grazyna Auguscik, performers included Matt Ulery, bass; the Andrzej Jagodzinski Trio; Jarek Bester, accordion; Paulinho Garcia, guitar and vocals; The Chicago International Trombone Ensemble; Howard Levy, harmonica and piano; Ian Maksin, cello; and Issa Boulos, ooud.

The concert review written by Howard Reich, who has been an award-winning Chicago Tribune arts critic and writer since 1983, explodes with praise—for Auguscik, for her musical cohorts, and for Chopin himself:

An estimated 8,500 listeners heard Chopin's music radically transformed through jazz, though one hazards to guess that Chopin himself might have reveled in these sounds. His piano music, after all, bristles with the spirit of improvisation, as if the composer had sat down at the keyboard and instantaneously invented some of the most enduring works in the piano repertory. Most of Chopin's preludes, etudes and nocturnes unfold in utterly unpredictable ways, changing emotional tone at the drop of a sixteenth note – just like jazz.

Though Chopin in fact meticulously honed his compositions, rigorously rewriting and refining passages, the mercurial quality of his music finds eloquent expression in jazz, as Chicago singer Grazyna Auguscik affirmed on this night. Joined by equally adventurous musicians from Chicago, Krakow and beyond, Auguscik illuminated the melodic beauty, harmonic daring and restless spirit of Chopin's music.

…

Born and raised in Poland but based in Chicago since 1994, Auguscik long has applied the smoldering lyricism of Polish music to American jazz. Her voice – sometimes gauzy, sometimes liquid – proves malleable enough to suit music from both cultures.

From her ethereal first notes, she made clear that this was going to be an unconventional evening.

…

Ultimately, though, this was Auguscik's night, and with it she clearly launched a new phase of her career. She'll likely be performing and recording this repertoire for years to come – it's that important

Read the entire review, entitled “Yes, Chopin's music can swing – and then some” [H. Reich - July 26, 2010], at www.chicagotribune.com.

[Sources: chicagotribune.com, explorechicago.org, photo: myspace.com/graz17]

“PROJECT CHOPIN” & THE FLYING MACHINE

BreakThru Films (producers of the Oscar-winning Peter & the Wolf) continues development of their extraordinary film project inspired by the music of Frederic Chopin. Most recently, American actress Heather Graham and Chinese pianist Lang Lang have joined the cast—Lang Lang will also be performing the score. The film, entitled The Flying Machine, combines 3D live action and stop motion animation. In celebration of the 200-year anniversary of the birth of Chopin. It is being created and produced in cooperation with Se-Ma-For Studios in Łódź and the Łódź City Council, Beijing-based Bona International Film Group, the Polish Film Institute, TVP and Canal Plus in Poland, Norway’s Storm Studio and France’s Denis Friedman Production, and is scheduled for release by the end of 2010.

"Project Chopin" is intended to serve as an educational platform which promotes vital social and cultural values through entertainment. In addition to the 85-minute film, the project also includes 24 short films based on Chopin’s 24 Etudes, an online game and live stage performances. Although mainly addressed at children and young people, these Chopin-related media are sure to appeal to adults as well.

[Sources: culture.pl, breakthrufilms.co.uk]

FANTASIA ON POLISH AIRS – BALLET PREMIERE

In honor of Chopin’s birthday celebration, Luminario Ballet of Los Angeles presents the premiere of the ballet Fantasia on Polish Airs, created by “LA's revered ballet maestro,” Polish choreographer Stefan Wenta, This premiere will take place during the Luminario Ballet program entitled “Taking Flight” at the Ford Theater on Friday, August 6, 2010 at 8:30 p.m.

Friday, August 6, 2010 at 8:30 PM
Fantasia on Polish Airs – a ballet by Stefan Wenta
Ford Theater
2580 Cahuenga Blvd, Hollywood, CA 90068   
Tickets: www.luminarioballet.org or (323) 461-3673
$30; $25 in advance – VIP dinner tickets $100.00
More info: (818) 395-6506 or www.luminarioballet.org

[Source: fordamphitheater.org, luminarioballet.org, functionalart.com]

A DIFFERENT PERSPECTIVE ON THE CHOPIN YEAR

“We are in for a ghastly year: they will be hassling us with Chopin and Chopin with us. As a consequence of the Mozart Year no one wants to talk about the music of Mozart to this day today. The idea of the Chopin Year, the fact that we will be harping on about Chopin all year round, seems anti-Chopin and terrible to me, given the intelligence, gentleness and otherness of his music. Is it really something you can exploit throughtout [sic] a whole year?”

Read the entire editorial by Andrzej Żuławski (b. 1940) —noted Polish film director, writer, screenwriter—at biweekly.pl (the English version of Dwutygodnik).

[Source: biweekly.pl, Photo: Jerzy Gumowski (Gazeta Wyborcza) - filmpolski.pl]

CHOPIN & HIS EUROPE FESTIVAL

The 6th International Chopin and His Europe Festival [Międzynarodowy Festiwal Muzyczny Chopin i jego Europa] will be held from August 1-31 2010. The organizer of the Festival is the National Fryderyk Chopin Institute [Narodowy Instytut Fryderyka Chopina] Inaugurated in 2005, Chopin and his Europe is an annual international music festival celebrating the life and work of Fryderyk Chopin. A number of venues across Warsaw, including the city's Philharmonic Hall, host concerts dedicated to Poland's favorite musicians.

The 2010 festival, entitled Rok Chopinowski (Chopin's Year), celebrates Chopin's bicentenary. Pianists celebrating Chopin's solo repertoire in early evening recitals include Evgeni Koroliov, Philippe Giusiano, Denis Matsuev, Fou Ts'ong, Michaela Ursualesa, Lilya Zilberstein, Pietro De Maria, Christian Zacherias and Maria João Pires.

Alongside homegrown Sinfonia Varsovia, the Polish National and Warsaw Philharmonics, visitors include the Russian National, Champs-Élysèes and Lausanne Chamber Orchestras, while Chopin's love of opera is explored by Fabio Biondi and his Europe Galante giving the first modern Polish performance of Bellini's Norma on period instruments.

Another highlight of this year’s Festival will be the King's Singers performing the music of Mikołaj Zieleński (Benedicimus Deum, Adoramus te, Viderunt omnes fines terrae, Vox in Rama, and In Monte Oliveti) on August 3 in Polish Radio’s Witold Lutosławski Concert Studio.

Read more about this Festival at chopin.nifc.pl, magazynchopin.pl, or www.culture.pl.

[Sources: chopin2010.pl, whatsonwhen.com]

AUGUSTYN PLAYS CHOPIN & PADEREWSKI

On Friday, August 13, the Philadelphia Chapter of the Kosciuszko Foundation presents its celebration of the Year of Chopin and Paderewski during its Sixth Annual Summer Concert and Silent Auction. This year’s Concert features award-winning artists Kinga Augustyn, violin, and Anna Shelest, piano, in a recital of works by Chopin, Paderewski, Lutoslawski, and Wieniawski.

Friday, August 13
7:30pm – wine & cheese / 8:00 – concert / 9:00 – artist reception
Annual Summer Concert with Kinga Augustyn & Anna Shelest
Philadelphia Chapter of the Kosciuszko Foundation
Ethical Society Building
1906 S. Rittenhouse Square
Philadelphia, PA, 19103
Tickets: Adults - $35 advance/ $40 at the door ; Students: $15 advance/ $20 at the door
Reservations: contact Alfred J.Wolanin at 267 - 987 - 5347  or  ajwolanin@gmail.com

POLISH PIANISTS AT LA ROQUE D’ANTHÉRON

Over the past 29 years, La Roque d’Anthéron International Piano Festival has established itself as an exceptional event on the world's musical landscape. Although the Festival sites have changed over the years, the Parc du Château de Florans in La Roque d’Anthéron (a small town 50 kilometres north of Aix-en-Provence) remains the main site for these remarkable encounters. This is where for all types of music come together: from classical to contemporary, jazz to electronic, featuring young talents as well as renowned greats.

Over 50 pianists will perform during the Festival, among them artists from Poland, such as Julia Kociuban and Marcin Koziak playing the music of Frédéric Chopin.Sinfonia Varsovia, which over the years has become a regular participant of the event, will be conducted by Jacek Kaspszyk and George Tchitchinadze.

A piano recital by Marcin Koziak and a concert by Sinfonia Varsovia will be broadcast on the French television channel "arte".

For a detailed programme of the event, see: www.festival-piano.com.

[Reprinted from: www.culture.pl, Poster: avignon-et-provence.com]

PALECZNY & SINFONIA VARSOVIA IN PARIS

A crowd of about five thousand listeners gathered at the Jardin du Luxembourg in Paris on Sunday afternoon, July 26, to hear a concert of music by Frederic Chopin performed by pianist Piotr Paleczny and the Sinfonia Varsovia orchestra. It was the last in a series of concerts devoted to Chopin’s music and held in this historical park located in the Sixth Arrondissement. The orchestra was led by maestro Jacek Kaspszyk and the program included Chopin’s Piano Concertos in F minor and E minor. The performers received a very warm round of applause with a large portion of the audience giving the Polish musicians a standing ovation.

This series of open air concerts in Paris was inspired by a long-standing Warsaw tradition of concerts in the Łazienki Royal Palace Park and began in the French capital on June 20. Artists such as Janusz Olejniczak, Joanna Ławrynowicz, Justyna Galant-Wojciechowska, Filip Wojciechowski, and the celebrated Polish jazz pianist, Leszek Możdżer, were heard in performance during the past few weeks. Organized jointly by the City of Warsaw, Stołeczna Estrada (a concert agency), the Senate of the Republic of France, and the Polish Institute in Paris, the Sunday afternoon concerts were coupled with exhibits of Polish posters depicting Chopin’s music and life created by Henryk Tomaszewski, Roman Cieślewicz, and Andrzej Pągowski, among others.

[Source: muzyka.onet.pl]

CHOPIN BICENNTENIAL CONCERT ON DVD

The February 27, 2010 Chopin Concert at Zipper Hall in Los Angeles is now available on DVD.  The featured performers were: - Jane Kaczmarek - hosting and poetry about Chopin; Wojciech Kocyan - piano, Alexander Suleiman - cello; John Perry - piano; Michael & Priscilla Pawlicki, Francoise Regnat, and Charles Fierro - eight hands on two pianos; foreword by Consul General of Poland in Los Angeles, Ambasador Joanna Kozinska-Frybes.

For a donation made to the Paderewski Music Society you may enjoy this set of a DVD and two CDs forever. Suggested donation, including S&H within the USA: $33, $53, $50, or $100+. For international shipping, please add $5 to all donations between $30 and $50

 [Source: ijpaderewski.org]

CHOPIN CHAMBER WORKS ON DUX

Fryderyk Chopin: The Complete Chamber Works
Fryderyk Chopin (1810-1849) : Polonaise in C major for Piano & Cello Op.3; Trio in G minor for Piano, Violin & Cello Op.8; Gran duo concertant on themes from „Robert le Diable” by G. Meyerbeer (1883); Sonata in G minor for Piano and Cello Op.65
Jan Kalinowski - cello, Bartłomiej Nizioł – violin, Marek Szlezer – piano (performing on a Pleyel piano from 1845)
DUX 0755

When compared with the entire body of the piano output of Fryderyk Chopin (1810-1849), his chamber works constitute a fairly modest group, both in terms of number and historical importance. All of them were occasional pieces, written, directly or indirectly, for the composer’s friends and acquaintances. Chopin’s chamber pieces exhibited a strong affinity with the stylistic trends and aesthetic conventions which were fashionable at the time. Even though they still have the stamp of originality, in writing them Chopin deliberately distanced himself from the stylistic idiom of his works for solo piano. In fact, they seem to come closer to his preceding orchestral works dating from 1827-1830.

During that period Chopin became fascinated with the then highly popular early-Romantic aesthetic known as ‘style brilliant’, whose most prominent representatives were Johann Nepomuk Hummel and Carl Maria von Weber. In order to study this music better, Chopin went to Berlin, in 1829. There, he discovered another important source of inspiration – operatic bel canto. In Berlin’s Singakademie, he heard operas by Spontini, Cimarosa and Weber. The perfectly melodious vocal phrases of these operas enchanted him so much that from that time onwards, both as a pianist and composer, he attempted to imitate it by means of an instrumental phrase, that is ‘singing’ on the piano…. [from the liner notes byTomasz Jeż (Transl: Michał Kubicki)]

The prestigious magazine The Strad wrote about Jan Kalinowski and Marek Szlezer, who perform together as the Cracow Duo: ‘Kalinowski and Szlezer, friends since childhood, have a wonderfully natural rapport and there is an arresting quality to their playing that gives life to the music.’ The shared fascination with Polish music has made the Cracow Duo its committed promoters at home and abroad, where they have presented works for cello and piano by such composers as Aleksander Tansman, Zygmunt Stojowski, Ludomir Różycki and Tadeusz Majerski, as well as works by contemporary Polish and foreign composers written specially for them.

Born in 1974 in Szczecin, Bartłomiej Nizioł started to play the violin at the age of five. He graduated with distinction from the Music Academy in Poznań, where he studied with Jadwiga Kaliszewska. He is the winner of several prestigious competitions, including those in Lublin, Poznań, Adelaide, Pretoria, Brussels and Paris. He has twice received the ‘Fryderyk’ awards of the Polish recording industry for CDs featuring works by Henryk Wieniawski and Grażyna Bacewicz. He has performed as soloist with many renowned orchestras (Warsaw Philharmonic, Sinfonia Varsovia, the National Polish Radio SO in Katowice, the Berlin Symphony Orchestra, NDR Orchestra in Hanover, SWR Orchestra in Kaiserslautern, the Tonhalle Zurich, Orchestre Philharmonique de Radio France, English Chamber Orchestra, London Symphony, Edmonton Symphony) and has appeared in such prestigious venues as the Salle Pleyel in Paris, the Barbican Centre in London, the Berlin Philharmonic, the Suntory Hall in Tokyo, the Konzerthaus in Vienna and the Moscow Conservatory. Bartłomiej Nizioł has resided in Switzerland since 1995. In 1997-2003 he served as leader of the Tonhalle Orchestra and since 2003 has held the same position in the orchestra of Zurich Opera. He is also first violinist in the Stradivari Quartet founded in 2007. He has sat on the jury of the Wieniawski Violin Competition in Poznań. He has been a professor at the Hochschule der Künste Bern since September 2008. He plays on a Giuseppe Guarnerius del Gesù instrument dating from 1727.

YOUNG COMPOSERS IN TRIBUTE TO CHOPIN

The following are the albums released so far in the “Young Composers in Tribute to Fryderyk Chopin” series produced by DUX Records:

Młodzi Kompozytorzy w Hołdzie Fryderykowi Chopinowi
2 CD set of the first installment in the “Young Composers in Tribute to Fryderyk Chopin” series
DUX 0635/0636

Dariusz Przybylski Utwory na orkiestrę
Orkiestra Kameralna Aukso - dyr. Marek Moś, Sinfonia Iuventus - dyr. Krzysztof Słowiński, Jadwiga Kotnowska, Janusz Wawrowski
DUX 0721

Wojciech Ziemowit Zych Utwory na orkiestrę [Works for Orchestra]
Orkiestra Opery i Filharmonii Podlaskiej w Białymstoku - dyr. Przemysław Fiugajski, Michał Górczyński
DUX 0722

Weronika Ratusińska: Utwory na orkiestrę [Works for Orchestra]
Orkiestra Filharmonii Śląskiej, Orkiestra Filharmonii Śląskiej - dyr. Mirosław Jacek Błaszczyk, Tomasz Strahl
DUX 0723

Sławomir Zamuszko: Utwory na orkiestrę [Works for Orchestra]
Orkiestra Filharmonii Śląskiej - dyr. Mirosław Jacek Błaszczyk, Agata Igras-Sawicka, Anna Werecka, Artur Pachlewski, Róża Wilczak-Płaziuk
DUX 0724

Stanisław Bromboszcz: Muzyka kameralna [Chamber Music]
Orkiestra Muzyki Nowej - dyr. Szymon Bywalec, Śląska Orkiestra Kameralna - dyr. Szymon Bywalec, Bartosz Koziak, Jarosław Mamczarski, Stanisław Bromboszcz
DUX 0746

Paweł Hendrich: Utwory kameralne [Chamber works]
Kuba Badach, Paweł Hendrich, Kwartludium, Orkiestra Muzyki Nowej - dyr. Szymon Bywalec, Michał Siciński, Elżbieta Woleńska, Jakub „Zgas” Żmijowski
DUX 0754

CHOPIN ON NAXOS

CHOPIN – Piano Concerto No 1, Fantasy on Polish Airs, Rondo à la krakowiak
Eldar Nebolsin, piano; Warsaw Philharmonic Orchestra, Antoni Wit, conductor
NAXOS 8.572335

A new recording on the NAXOS label features a 2 CD set ofChopin’s complete works for piano and orchestra. The recording features pianist Eldar Nebolsin, winner of the Santander and Moscow piano competitions, accompanied by the Polish National Philharmonic under the baton of Antoni Wit. The repertoire includes Concertos Op. 11 and 21, the Don Giovanni Variations, Op. 2, Fantasy on Polish Airs, Op. 13, Rondo a la Krakowiak, Op. 14, and Andante spianato and Grand Polonaise brillante, Op. 22. This recording is the first to be based on the new National Edition of Chopin’s Collected Works that includes extensive source commentary and performing practice information.

Chopin’s youthful Piano Concerto No. 1 is dominated by the brilliant piano part that the teenage performer-composer wrote to showcase his extraordinary virtuosity. Its ravishing Romanza (‘reviving in one’s soul beautiful memories’, as the composer described it) is framed by an opening movement rich in dramatic lyricism and a vivacious Rondo. The Fantasia on Polish Airs, Op. 13 and Krakowiak are similarly vehicles for Romantic reverie and bravura which pay tribute to the music of Chopin’s homeland. Eldar Nebolsin’s recording of Liszt’s piano concertos (NAXOS 8.570517) was ranked ‘among the finest’ by Gramophone.

 [Source: muzyka.onet.pl, naxos.com]

WEINBERG PREMIERE

This year's edition of the Bregenzer Festpiele honored the Polish composer Mieczysław Weinberg (1919-1996). On July 21, Festival audiences heard the world premiere of The Passenger, Weinberg's first opera, based on the moving novel by Zofia Posmysz of the same title.  The Passenger was repeated on July 26, 28 and 31 as well.

According to the website of the Adam Mickiewicz Institute:

Zofia Posmysz's Passenger [Pasażerka] is the first instance in fine literature of an attempt to reflect concentration camp realities and the Holocaust from the point of view of the perpetrators. Mieczysław Weinberg's opera, based on this work, is the only one in the world dedicated to the Holocaust, written by composer of the "war" generation. The opera has been previously shown only in its concert version in Moscow in 2006.

Other Festival events related to Weinberg included a performance of The Portrait (op. 128), Weinberg’s 3-act opera with libretto by Alexander Medwedew based on the novel of the same title by Nikolai Gogol; a Symposium about the composer (July 31-Aug 2); and the Filmweek (July 23-37), a comprehensive retrospective of Weinberg’s extensive catalog of film music.

[Source: culture.pl, bregenzerfestspiele.com]

RE:NEW MUSIC 2009-2010

Re:New Music is a European project aimed at promoting contemporary music and supporting the circulation and performance of existing high quality ensemble repertoire. Through a unique partner network between European composers, new music ensembles, music information centers, composer societies and copyright associations, Re:New Music is creating a permanent network across the project’s 11 European countries, and the project will pave the way for a new and dynamic exchange of music, knowledge and new ideas.

This project was brought into life by the Nordic Composers Council and is administered by Danish Composers Society. In 2009, the Polish Music Information Center in Warsaw as well as two Polish ensembles specializing in new music—Kwartludium +  and Orkiestra Muzyki Nowej—joined the project. Other international ensembles participating include: Reconsil, Klangforum Wien, On Ensemble, Hebrides Ensemble, Cikada Ensemble and London Sinfonietta.

The 22 ensembles involved carry out the project's main activities - concerts where each ensemble can receive funding from the project to rehearse and perform the work and build a context around it: invite the composer for a residency, do workshops, seminars and open rehearsals - to secure a true interaction and exchange and to reach out to students, new audiences, etc. The goal is More performances of new music by living composers, in More countries and by More ensembles.

The Re:New Music project has also created an excellent database compiling new compositions that are submitted by the member ensembles, including quite a few by Polish composers. Kwartludium + alone has submitted compositions of W. Z. Zych, A. Gryka, W. Blecharz, and D. Przybylski among others. Called the “MatchMaker Database,” it is available online for free at renewmusic.org/matchmaker.

The Re:New Music project will be featured at the 53rd International Contemporary Music Festival “Warsaw Autumn” [Warszawska Jesień] during the European Workshop for Contemporary Music 2010 (September 12-20) and the ArtMusFair final concert (September 23-24). This two year-long project will end in November 2010.

[Sources: renewmusic.org, kwartludium.com, omn.art.pl]

NEW SZYMANOWSKA MONOGRAPH IN ENGLISH

Maria Szymanowska (1789-1831): A Bio-Bibliography by Anna E. Kijas
Publisher: The Scarecrow Press, Inc., 2010

The new monograph by Anna E. Kijas is a result of detailed studies of a rich variety of source materials on composer Maria Szymanowska and will serve as an important repository of knowledge about one of the most interesting personalities in the history of Polish culture.

Working at the University of Connecticut, the author presents the life and career of the 19th century pianist and composer of famous Polonaises, who was described by Adam Mickiewicz as “The Queen of the Tones.” The book is also a fascinating study of the times, illustrating many of the everyday difficulties in the life of this independent single woman and artist, a rarity in her day.

The book is divided into a biographical section followed by bibliography and extensive factual information regarding Szymanowska’s compositions, discography, and literature devoted to the subject contains many interesting facts. Among them are many concert tour details (including press reviews, details on travelling and accommodations) from Szymanowska’s six years of touring throughout Europe, as well as details of her financial situation.

[Source: pwm.com.pl]

NEW CONCERT HALL FOR WARSAW

The Warsaw City Government announced a competition for architectural designs of a concert hall to be located on 272Grochowska Street and will serve as the new home for Sinfonia Varsovia. The application packet was made available online  on June 30. The project envisions a design for a 1500-seat hall that will serve as a principal City Auditorium. The project will develop the former Veterinary School campus and use or adapt buildings already existing on the site. The invitation to enter the competition was extended to a variety of Polish and foreign architects, as well as acousticians, preservation experts and musicians from the Sinfonia Varsovia ensemble.

[Source: sinfoniavarsovia.org]

SINFONIA VARSOVIA IN FRANCE

The Sinfonia Varsovia ensemble will spend the first half of August on tour in France, bringing a variety of programs to venues and audiences throughout the country. See tour details below:

August 2, 2010: Cloître Saint-Dominique, Sisteron

Program:
Fryderyk Chopin – Piano concerto No.2 op.21 in F minor (version for strings)
Antonin Dvořák - Serenade op.22 in E major

Performers:
Sinfonia Varsovia with Jean-Marc Luisada – piano and Jacek Kaspszyk – conductor

Tickets & Info: www.concerts.fr

30. Festival International de Piano de la Roque d'Anthéron

August 7, 2010: Château Bas de Mimet

Programme:
Robert Schumann – Manfred Overture op. 115
Ferenc Liszt – Piano concerto No.2 in A major
Robert Schumann – Symphony No.4 op.120 in D minor

Performers:
Sinfonia Varsovia with Plamena Mangova – piano and Jacek Kaspszyk - conductor

August 8, 2010: Parc du Château de Florans

Programme:
Robert Schumann – Introduction and Allegro appassionato op.92
Robert Schumann - Introduction and Allegro de concert  op.134 in D minor
Robert Schumann – Piano concerto op.54 in A minor

Performers:
Sinfonia Varsovia with Abdel Rahman El Bacha – piano and Jacek Kaspszyk - conductor

August 9, 2010: Etang des Aulnes

Programme:
Ludwig van Beethoven – Sumphony No.3 op.55 in E-flat major Eroica
Ludwig van Beethoven – Piano concerto No.2  op.19 in B-flat major

Performers:
Sinfonia Varsovia with Stephen Kovacevich – piano and Jacek Kaspszyk - conductor

August 11, 2010:  Parc du Château de Florans

Programme:
Fryderyk Chopin - Piano concerto No.1 op.11 in E minor
Wolfgang Amadeus Mozart - Symphony No.40 in G minor KV 550

Performers:
Sinfonia Varsovia with Anne Queffélec – piano and George Tchitchinadze - conductor

August 13, 2010: Parc du Château de Florans

Programme:
Wolfgang Amadeus Mozart -  Le Nozze di Figaro Overture KV 492
Wolfgang Amadeus Mozart - Piano concerto No. 22 in E-flat major KV 482
Wolfgang Amadeus Mozart - Symphony No.41 in C major KV 551 Jupiter

Performers:
Sinfonia Varsovia with David Fray – piano and George Tchitchinadze – conductor

Tickets & Info: www.festival-piano.com

61. Festival de Musique 2010 de Menton

16.08.2010 21:30 Parvis de la Basilique Saint Michel Archange, Menton / France

Programme:
Fryderyk Chopin – Piano concerto No.2 op.21 in F minor (version for strings)
Wolfgang Amadeus Mozart – Requiem in D minor KV 626

Performers:
Sinfonia Varsovia with Vlaams Radio Koor, Helen Kearns – soprano, Anne-Fleur Inizan - mezzo-soprano, Yury Haradzetski – tenor, Ronan Collet – bass, Roustem Saitkoulov – piano, and Christopher Warren-Green – conductor

Tickets & Info: www.musique-menton.fr

Festival de Musique Classique de Montmorillon

18.08.2010 21:00 Chapelle Saint Laurent, Montmorillon / France

Program:
Wolfgang Amadeus Mozart – Requiem in D minor KV 626

Performers:
Sinfonia Varsovia with Vlaams Radio Koor, Helen Kearns – soprano, Anne-Fleur Inizan - mezzo-soprano, Yury Haradzetski – tenor, Ronan Collet – bass, Roustem Saitkoulov – piano, and Christopher Warren-Green – conductor

Tickets & Info: www.festival-musique.over-blog.com

[Source: sinfoniavarsovia.org]

POLES AT PROMS

Tomasz Konieczny served as the bass soloist in the “First Night of the Proms” opening concert on July 16, which featured a rousing performance of Mahler’s Symphony No. 8 in E flat major, “Symphony of a Thousand” at Royal Albert Hall. Other performers were: sopranos Mardi Byers, Twyla Robinson, and Malin Christensson; mezzo-sopranos Stephanie Blythe and Kelley O'Connor; tenor Stefan Vinke; bass-baritone Hanno Müller-Brachmann; the Choristers of St Paul's Cathedral, Westminster Abbey and Westminster Cathedral; the BBC Symphony Chorus; Crouch End Festival Chorus; Sydney Philharmonia Choirs; and the BBC Symphony Orchestra, with Jiří Bělohlávek as conductor.

For reviews of the concert, visit www.operatoday.com or www.classicalsource.com.

On July 21, the music of Frédéric Chopin (1810–49) rang through Royal Albert Hal during  Prom 7, when Portuguese pianist Maria João Pires, whose recording of Chopin's Nocturnes drew wide acclaim, celebrated the bicentenary year of Chopin's birth with a performance of selected Nocturnes. The music of Chopin will be heard again on August 12 during Prom 36, when young French conductor Lionel Bringuier—who serves as Associate Conductor of the Los Angeles Philharmonic—makes his Proms debut. The program includes Chopin’s Piano Concerto No. 2 in F minor, as well as works by Berlioz, Roussel, and Ravel, with pianist Nelson Freire and the BBC Symphony Orchestra.

[Source: bbc.co.uk]

NEW MOVIE, NEW STYLE FOR KACZMAREK

Academy Award-winning Polish composer Jan A. P. Kaczmarek was chosen to write the score for a new film entitled Get Low by Aaron Schneider. According to Variety writer Steve Chagollan, the movie’s setting of the American South presented an opportunity for Kaczmarek to explore a style of music that was new to him, a chance that the composer gladly welcomed. The following is from the Variety article, entitled “Composer likes mystery of the unknown”:

It could be said composer Jan Kaczmarek ("Finding Neverland") is attracted to the unknown. When he moved from his native Poland to the United States in 1989, he chose to live in L.A. partly due to its unfamiliarity, and its promise of "unfulfilled dreams and expectations." And, as he describes it, the film projects that most excite him involve genres and styles "that I've never done."

And so when he was approached to score "Get Low," a story set in 1930s Tennessee that mixes fact, rural folktales and myth, he was attracted to the idea of infusing the music with subtle elements of American bluegrass, which he describes as "having a mystery in it."

Read the entire article at www.variety.com.

[Source: variety.com]

INTERVIEW WITH KINGA AUGUSTYN

This month, the website of the Alexander & Buono International String Competition features an interview with Polish-born violinist Kinga Augustyn. Having completed her Bachelors (2004) and Masters (2007) degrees as a full scholarship student in the Juilliard School in New York, Augustyn went on to win First Prize in the Alexander & Buono International String Competition in 2009. In her interview, Augustyn discusses past performance reviews, the relationship between musician and instrument, and the repertoire that has been most important to her as a developing violinist. Read the entire article at www.abstrings.com.

[Photo credit: Peter Schaaf]