The concerts are particularly popular among university, college and high school students (age group of ca. 16-28 years) to whom an additional promotional campaign is addressed. Masterminded by the Festival's director, Tadeusz Wielecki, the student-oriented promotion includes events in schools, meetings with composers and performers, and a special brochure with accessible explanations about each of the concerts and the highlights of the program. The brochure is widely distributed and available for free. As a result, the audience includes intelligent and inquisitive youth, not just new music professionals (the problem with older institutions of this kind).

The main thematic strands in the program are listed on the brochure's cover: a performance of all the Symphonies by Russian composer, Galina Ustvolskaya, the world premiere of a newly commissioned opera by Martijn Padding (a rising star on the Dutch new music scene) about the mystical writer Swedenborg, and a presentation of the youngest generation among Polish composers including Marzena Komsta, Aleksandra Gryka, Michal Talma-Sutt, Katarzyna Arnhold, Katarzyna Glowicka, Bartlomiej Krha, and Agata Zubel. Their compositions are mostly world premieres and belong in the group of 18 world premieres in the program of the festival. There are also fifty six Polish premieres and whole concerts often include entirely new programs without "rehashing" the standard repertoire. This uncompromising bias towards the truly new and innovative, as well as the "young" appeals to the adventurous public of young intelligentsia; only selected "elder statesmen" of Polish new music are included in the program - featuring such classic works as Lutosławski's Jeux venitiens of 1961, Tomasz Sikorski's For Strings, and Henryk Górecki's Old Polish Music of 1969.

Well known names from Polish music are also represented with world premieres of Paweł Szymanski's Film Music, Eugeniusz Knapik's Up into the Silence, Aleksander Lasoń's A Little Book for Clarinet and Strings, and Witold Szalonek's Poseidon and Medusa. There are Polish premieres of Elżbieta Sikora's Piano Concerto, Hanna Kulenty's Drive Blues, and a whole range of international classics, such as Galina Ustvolskaya's Symphonies, and Iannis Xenakis's Dammerschein.

The festival includes a concert of prize winners of the 5th International Witold Lutosławski Composers' Competition, and two new operas, by Martijn Padding (The Land of Ulro I), and Paweł Mykietyn (Ignoramus and Madman). The concerts are placed in various locations, including the National Library, the Concert Studio of the Polish Radio, the National Theater and Opera, art galleries, and churches. This arrangement follows the one used last year; the "dispersion" of the events into the city, outside of the "ivory tower" of artistic institutions was welcomed with a great critical acclaim.

The tradition of enriching the program with a range of fringe events also continues. Among the fringe events of the festival are a special concert dedicated to the "generation Stalowa Wola" (Lason, Knapik, Krzanowski), organized by PWM who also presented the launch of a nes study of Andrzej Panufnik, written by Beata Bolesławska. In addition there will be a concert of the Young Circle of the Polish Composers' Union; an exhibition on Polish Composers of the 20th century, and an exhibition on the late composer Ernst Krenek sponsored by the Ernst Krenek Institut in Vienna and Wiener Stadt-und Landesbibliothek. For more information visit the festival's web site: http//www.warsaw-autumn.art.pl or send e-mail to the office: festival@warsaw-autumn.art.pl

PADEREWSKI CELEBRATION IN TORONTO

Tickets to the Gala will go on sale at Polimex (416) 537 3496, Pekao (416) 588-1397, Husarz (905) 277-5171, Gazeta (416) 531-3230 at the beginning of September. For additional information please call 416-567 1278 The program includes:

• K. Oginski: Polonaise
• I. J. Paderewski: Three Songs. Magdalena Idzik, Soprano
• I. J. Paderewski: Piano Concerto in A minor for Orchestra and Piano. Piotr Paleczny, piano
• W. Kilar: Orawa for strings
• S. Moniuszko: Aria from the Opera The Haunted Manor. Magdalena Idzik, Soprano
• E. Elgar: Concert Overture "Polonia" (dedicated to I.J.Paderewski)
• S. Moniuszko: Mazurka from the Opera "The Haunted Manor"

Paderewski was an unmatched piano virtuoso, an ardent statesman for the freedom of Poland, and a generous-hearted, kind-spirited human being. He began his American concert career in 1891 at Carnegie Hall in New York City. He was immediately hailed as a poet and praised for his artistic vision; critics described his performances as possessing "glittering brilliance of execution", "complete rhythmic awareness" and "outstanding re-creative originality". His extravagantly romantic and mesmerizing stage appearance combined with his outstanding performances captured the American imagination for more than thirty years. On February 10, 1892 he made his Canadian debut in Montreal and two days later in Toronto. At this time, he met the famous Canadian engineer Casmir Gzowski, an immigrant from 1842, builder of numerous railroads and bridges including the renowned International Bridge on the Niagara River. Paderewski made the transition from musician to statesman in 1915 when he returned to America from an international tour with a mission to raise funds for Poland and campaign for its freedom.

On January 8, 1918, his dream came true when President Wilson outlined before Congress a program for peace including Poland's independence. Paderewski was named Prime Minister and Minister of Foreign Affairs. In 1922 he returned to his concert career and made a second Carnegie Hall debut. Paderewski toured internationally, donating money from his concerts to the war-torn people of Europe, to charities in Poland, and to unemployed musicians. He helped hundreds of struggling artists and became the benefactor of a whole generation of brilliant pianists. In addition, he helped to organize and sponsor many musical competitions. When he died in New York in June 1941, thousands crowded St. Patrick's Cathedral for his funeral, and almost 35,000 lined the streets outside. He was buried as a hero at Arlington Cemetery, remaining there until 1992 when his body could be returned to a free Poland. This year, 2001, has been designated by the Government of Poland as the 'Year of Paderewski'.

If you are in New York in November be sure to attend the "Tribute to Paderewski" concert at Carnegie Hall sponsored by the Kosciuszko Foundation on November 4th. The Sinfonia Varsovia conducted by Jerzy Maksymiuk and artists Janusz Olejniczak (piano) and Anna Bajor (soprano) will present an all-Polish program featuring the music of Paderewski, Chopin, Moniuszko, and Kilar. They will be joined by the Paderewski Festival Singers, a New York choir especially formed for this occasion under the direction of Jan Sporek. For further information call Tom Pniewski, Director of Cultural Affairs at the Kosciuszko Foundation (212) 734-2130, or visit the Kosciuszko Foundation web site: http://www.kosciuszkofoundation.org.

On 14 September 2001 Polish pianist, Stanislaw Deja, will appear with a program of Piano sonatas by Mozart and Chopin in Munich at the Gasteig, small concert hall. Details about this performance may be found online http://www2.muenchenticket.de/8y2f631wkz1/vorstellung.jsp?id=48978

The program includes:

• Mozart: Piano Sonata in H-major KV 333
• Chopin: Piano Sonata in B-flat Minor Op. 35
• Mozart: Piano Sonata in D major KV 311
• Chopin: Piano Sonata in B minor Op.58

Center for Advanced Judaic Studies at the University of Pennsylvania announces their Post-Doctoral Fellowships 2002-2003; Application Deadline November 15, 2001. The theme for this round of awards is JEWISH HISTORY AND CULTURE IN EASTERN EUROPE, 1600-2000.

For much of the modern period, the Jews of Eastern Europe constituted the human reservoir of Jewish civilization, the source of many of the currents that shape Jewish life even today. Scholars of literature and religion, historians, and experts in allied fields, stimulated in part by the new accessibility of long-hidden archival materials in Eastern Europe and the former Soviet Union, have begun to re-envision East European Jewry and its place in modern Jewish history and culture. In 2002-2003, the CAJS will sponsor an interdisciplinary seminar devoted to assembling and placing in perspective the fruits of the new scholarship.

Among the possible questions the seminar will consider are: What are the limits of "crisis" as an explanatory model for individual and collective change among East European Jews? In what ways did East European Jewry remain a coherent entity across the periodic recastings of political boundaries in the region? What were the lines of influence between Jews and their mostly Slavic neighbors? The seminar will also consider neglected issues of gender and economic life among East European Jews. What historical contexts made possible the rise in Eastern Europe of Jewish cultural modernism, with the ideal of the emancipated (male or female) self at its center? How have the pioneering figures of Jewish scholarship in Eastern Europe, with their pronounced populist bent, shaped the field's intellectual lineage? How can attention to the intersection of elite and popular culture illuminate such epochal developments as the rise of Hasidism as a mass movement, the political mobilization of the Jewish "silent majority" at the beginning of the 20th century, and the renewal of Jewish national identity in the USSR during the Cold War?

The Center invites applications from post-doctoral candidates in the humanities and social sciences. Outstanding graduate students in the final stages of writing their dissertations may also apply. Stipend amounts are based on a Fellows' academic standing and financial need with a maximum of $32,000 for the academic year. A contribution may also be made towards travel expenses. Application deadline is November 15, 2001. Awards will be announced on January 15, 2002.

For more information and application forms contact Sheila Allen: allenshe@sas.upenn.edu or visit the program web site: http://www.cjs.upenn.edu/Program/2002-2003/announce.html

SHAURIS CHORALE HAS NEW ADDRESS

Please note that the Web Site of the Shauris Chorale (Polish Composers Page) has moved from http://www.ultranet.com/~ras/polishc.htm to http://www.scoinc.org/polishc.htm

SLAVIC RESOURCES FOR VISUAL ART

A new site dedicated to visual arts in the Eastern Europe and Russia is found at www.artmargins.com. This is a wonderful publication source administered by Anna Sokolina, curator/scholar based in New York City.

POLISH SONGS ONLINE

The number of web site with Polish music midi or MP3 files steadily increases. Over 40 Polish popular songs may be found in the form of MIDI files on the site: http://www.korn.com.pl/plecak_2.htm [BZ]

Sławomir Dobrzanski has completed his doctoral dissertation for DMA degree at the University of Connecticut. The dissertation, entitled Maria Szymanowska (1789-1831). Pianist and Composer presents an overview of the pianist-composer's life and works.

The English edition of Zbigniew Skowron's collection of essays about the aesthetics and compositional technique of Witold Lutosławski has finally appeared from Oxford University Press. The volume includes essays from the 1997 conference sponsored by the Polish Scientific Research Committee, and organized by the University of Warsaw, and F. Chopin Society.

Fourteen studies are divided into two parts. Part I, "Aesthetics" contains an overview by Zbigniew Skowron, study of contrasts in the composer's sound world by Charles Bodman Rae, a study of "the visionary and the dramatic" by John Casken, research into "poetic and dramatic schemes in vocal instrumental works" by Benoit Aubigny and "the themes of night and death" by Maja Trochimczyk. Part II, "Style and compositional technique" presents studies by Steven Stucky ("change and constancy"), James Harley ("symphonic form"), Martina Homma ("twelve-tone rows"), Adrian Thomas ("Jeux venitiens"), Arnold Whittall ("Concertos for Cello and Piano"), Jadwiga Paja-Stach (" Works for solo instruments and piano"), Andrzej Tuchowski ("motion patterns in Livre pour orchestre and Symphony no. 4"), Irina Nikolska ("Chain 1 and Chain 3 - types of chain connections") and Peter Petersen ("microtonality").

ACTE PREALABLE issued a new CD, Kazimierz Rozbicki - Missa festiva for soloists, choir and orchestra with Magdalena Witczak, soprano; Katarzyna Suska, mezzo-soprano; Choir Iuventus Cantans; Henryk Stiller, choirmaster; Filharmonia Koszalińska Symphony Orchestra; Jerzy Kosek, conductor.

The CD may be ordered from Wydawnictwo Muzyczne Acte Préalable sp. z o.o.
skr. pocztowa 71 - 02-792 Warszawa 78 - Poland
www.kki.net.pl/~acteprealable
A sample MP3 file of 1 Mb size available on request