The Harlem Renaissance
The Harlem Renaissance, a flowering of literature (and to a lesser extent other arts) in New York City
during the 1920s and 1930s, has long been considered by many to be the high point in African
American writing. It probably had its foundation in the works of W.E. B. Du Bois, influential editor
of The Crisis from 1910 to 1934; DuBois believed that an educated Black elite should lead Blacks to
liberation. He further believed that his people could not achieve social equality by emulating white
ideals; that equality could be
achieved only by teaching Black racial pride with an emphasis on an African cultural heritage.
Although the Renaissance was not a school, nor did the writers associated with it share a common
purpose, nevertheless they had a common bond: they dealt with Black life from a Black
perspective.
Among the major writers who are usually viewed as part of the Harlem
Renaissance are Claude McKay, Countee Cullen, Langston Hughes, Zora Neale Hurston, Rudolph
Fisher, James Weldon Johnson, and Jean Toomer.
While the Renaissance is often thought of as solely a literary movement, some
historians of the period also include artists and
musicians.
Major Book Sources
Because of its importance in the historical development of African American literature, the Harlem
Renaissance has been the subject of a number of excellent books.
- Bontemps, Arna. The Harlem Renaissance Remembered. New York: Dodd, Mead, 1972.
- Special Collections PS153.N5B63
- Huggins, Nathan I. Harlem Renaissance. New York: Oxford, 1971.
- Doheny Stacks; Leavey; Special Collections NX512.3.N5H8
- ---. Voices From the Harlem Renaissance. New York: Oxford, 1976.
- Doheny Stacks PS509.N4V6
- Kellner, Bruce. Harlem Renaissance: A Historical Dictionary for the Era. New York: Methuen, 1987.
- Doheny Stacks NX511.N4H37
- Porter, James A. Modern Negro Art. New York: Arno Press, 1969.
- Architecture 706.9 P846m
Other books can be located by using Homer on USCInfo; use Harlem Renaissance as the subject.
There are other subject headings, both broader and narrower in scope, that can be used to retrieve
related materials. Use the Library of Congress Subject Headings, found in every library on
campus, to determine appropriate subjects to enter.
The Renaissance has been well-covered in doctoral dissertations done at American universities. Use Dissertations
Abstracts Ondisc (on CD-ROM) in the Doheny Reference Center to identify titles you may be
interested in. These will, in most cases, have to be either purchased from University Microfilms or
borrowed through Global Express.
A great many periodical or journal articles have been published on the subject, ranging from very
popular to very scholarly. Use USCInfo for the more popular articles(choosing the Magazine
Index and the Expanded Academic Index). Use America; History and Life on
CD-ROM in the Reference Center for more scholarly, research articles. Use Global Express to obtain any items not found in the University Libraries at USC.
If you are interested in literary
criticism of African American authors there are many sources available. Indexes and bibliographies,
including those which focus almost completely on
African Americans are available in the Reference Center.
Other Resources