| Diskussion im Berliner Rundfunk |
1931 March 30 |
6:27 |
| Kol nidre |
193-? |
untimed |
| Variations, orchestra, op. 31. Speech |
1931 March 22 |
17:23 |
| Quartets, strings. Speeches |
1936 December 29-30 |
4:42 |
| Tribute to George Gershwin |
1937 July 12 |
0:58 |
| Serenade, op. 24. Speech |
1937 Christmas |
0:13 |
| How can a music student earn a living (1st
version) |
after 1939 |
15:14 |
| How can a music student earn a living (2nd
version) |
after 1939 |
10:03 |
| Afrika |
194-? |
3:14 |
| Belohnt hat |
194-? |
1:04 |
| Frankly I don't know |
194-? |
untimed |
| Is, I think, suitable |
194-? |
0:42 |
| Prinzessin |
194-? |
10:22 |
| Speech |
194-? |
untimed |
| This composition has never been |
194-? |
0:04 |
| To the San Francisco roundtable on modern art |
194-? |
16:15 |
| Kammersymphonie, no. 2; arr. piano (4 hands).
Speech |
1943 December 9 |
0:59 |
| To the National Institute of Arts and Letters
("Boiling water speech") |
1947 May 22 |
4:27 |
| For the broadcast (1st version) |
1948 |
1:00 |
| For the broadcast (2nd version) |
1948 |
1:10 |
| To the birthday of broadcasts of contemporary
music |
1948 September 13 |
4:28 |
| Letter, Los Angeles, to Clara Steuermann, New
York |
1948 October |
2:07 |
| Alban Berg (1st speech) |
1949 |
2:58 |
| Rose Bampton, Karl Kritz, and Arnold Schoenberg |
1949 |
11:47 |
| For the broadcast of the String trio |
1949 May |
3:55 |
| Letter, Los Angeles, to Amadeo de Filippi, New
York |
1949 May 13 |
1:33 |
| Letter, Los Angeles, to Ediciones Mexicanas (Blas
Galindo & Rudolfo Hallfter), Mexico |
1949 May 13 |
0:59 |
| For my broadcast |
1949 August 23 |
4:15 |
| My evolution |
1949 November 29 |
41:53 |
| Who am I? |
1949 November 29 |
2:35 |
| About turning the other |
195-? |
0:41 |
| Auf Englisch oder Deutsch |
195-? |
0:02 |
| Letter, Los Angeles, to Sylvia van Ameringen,
Paris |
195-? |
0:15 |
| More about the records |
195-? |
0:11 |
| The nonprofit centers |
195-? |
0:10 |
| Perhaps one of the companies |
195-? |
0:17 |
| Verdient eine Züchtigung |
195-? |
0:20 |
| We have today a style of performance |
195-? |
0:17 |
| Der zweitbeste Freund |
195-? |
1:02 |
| Cal-Tech, EE-200. Seminar in sound |
1950 |
32:00 |
| Museum talk on painting |
1950 |
10:53 |
| Napoleon patience |
1950? |
10:54 |
| To continue communicating |
1950 January? |
0:30 |
| Letter, Los Angeles, to Edward B. Marks Music
Corp. (Joyce Goldberg), New York |
1951 March 2 |
2:10 |
| Letter, Los Angeles, to Oskar Adler |
1951 March 3 |
3:47 |
| Letter, Los Angeles, to Capitol Records (Richard
C. Jones), Hollywood |
1951 March 3 |
2:14 |
| Letter, Los Angeles, to Josef Rufer, Berlin |
1951 March 3 |
2:56 |
| Letter, Los Angeles, to Ross Russell, New York |
1951 March 3 |
1:46 |
| Letter, Los Angeles, to Georg Schönberg,
Mödling, Austria |
1951 March 3 |
4:10 |
| Letter, Los Angeles, to Clara Steuermann, New
York |
1951 March 3 |
0:57 |
| Letter, Los Angeles, to Hans Heinz Stuckenschmidt,
Berlin |
1951 March 3 |
1:28 |
| Letter, Los Angeles, to Winfried Zillig,
Frankfurt |
1951 March 3 |
5:09 |