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The Journal of the Arnold Schoenberg Institute was published from October 1976 to June 1997. It succeeded the Bulletin of the Arnold Schoenberg Institute (January 1975 - June 1976). Volumes I through II of the Journal (October 1976 - June 1978) were published three times a year. All succeeding Volumes were published semi-annually, usually June and November. The Journal ceased publication following Volume XIX (June & November 1996).
Annual subscriptions for individuals were $18 in the USA or $23 international. Annual subscriptions for institutions were $30 in the USA or $35 international. Prices include postage (surface) and handling. For airmail outside the USA $5 was added. Individual back issues are available at $12 (USA), $13 (international by surface), and $15 (international by air). A 5% discount should be applied to orders of 20 or more back issues. Most back issues are available from:
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e-mail: office@schoenberg.atAdditionally the last (double) volume--XVIII-XIX (1995-1996)--is available until supplies are exhausted from:
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voice: 213-740-7312
e-mail: ernst@usc.eduContents
Contents of Volume: I, II, III, IV, V, VI, VII, VIII, IX, X, XI, XII, XIII, XIV, XV, XVI, XVII, XVIII-XIX
Volume I, No. 1 (October 1976)
- Leonard Stein: “The Journal and the Institute”
- Milton Babbitt: “Celebrative Speech”
- H. H. Stuckenschmidt: “Notes from a Long Association and a New Biography”
- Alexander L. Ringer: “Arnold Schoenberg and the Prophetic Image in Music”
- Paul A. Pisk: “Memories of Schoenberg”
- Bibliography
- Marsha Berman and Betty O’Rourke: “A Selected List of Periodical Articles on Arnold Schoenberg, 1974 - June 1976”
- From the Archives
- Clara Steuermann: “Procedures, Materials, and Acknowledgments”
- Acknowledgement of Contributions to the Building Fund
- Announcement
Volume I, No. 2 (February 1977)
- Leonard Stein: “The Opening of the Institute”
- Richard Hoffmann: “Schoenberg est vivant”
- Jan Maegaard: “Schoenberg’s Manuscripts: What Do They Tell Us?”
- Ena Steiner: “Mödling Revisited”
- Ernst Krenek: “Schoenberg the Centenarian”
- Arnold Schoenberg: “Neue Musik / Meine Musik”
- Bibliography
- Marsha Berman: “Books and Dissertations, 1974-76”
- From the Archives
- Clara Steuermann: “Moving Day and Beyond...”
Volume I, No. 3 (June 1977)
- Leonard Stein: “From the Director’s Desk”
- Pierre Boulez: “Through Schoenberg to the Future”
- Dika Newlin: “Notes for a Schoenberg Biography: From My Los Angeles Diary, 1939”
- Jonathan M. Dunsby: “Schoenberg’s Premonition, Op. 22, No. 4, in Retrospect”
- From the Archives
- Clara Steuermann: “Satellites”
- Jonathan M. Dunsby: “The Stiedry Collection”
- Leonard Stein: “The Gurrelieder Fanfare Manuscript”
- Bibliography
- Marsha Berman: “Articles in Periodicals and Collections of Essays”
- Discography
- David Cloud: “Schoenberg Recordings: An Update”
- Correspondence
Volume II, No. 1 (October 1977)
- Elaine Barkin: Foreword
- Alexander Goehr: “Schoenberg’s Gedanke Manuscript”
- Jonathan M. Dunsby: “Schoenberg and the Writings of Schenker”
- Will Ogdon: “Unpublished Treatise of René Leibowitz”
- Reinhold Brinkmann: “On Pierrot’s Trail”
- Edward Steuermann: “Pierrot Lunaire in Retrospect”
- Leonard Stein: “A Note on the Genesis of the Ode to Napoleon”
- Arnold Schoenberg: “How I Came to Compose the Ode to Napoleon”
- From the Archives
- Clara Steuermann: “Satellites II”
- Jonathan M. Dunsby: “The Steuermann Collection”
- Leonard Stein: “Toward a Chronology of Schoenberg’s Early Unpublished Songs”
Volume II, No. 2 (February 1978)
- Leonard Stein: Foreword: “Evaluations and Expectations”
- Louis Krasner: “A Performance History of Schoenberg’s Violin Concerto Op. 36”
- Arnold Schoenberg: “Der kleine Muck: The Concertgebouw Revisited” (Introduction by Leonard Stein)
- Marcel Dick with Anne Trenkamp: “Reminiscences of Schoenberg as Conductor”
- Jean Christensen: “Schoenberg’s Sketches for Die Jakobsleiter: A Study of a Special Case”
- Fred Steiner: “A History of the First Complete Recording of the Schoenberg String Quartets”
- Nicholas Slonimsky: “Schoenberg in the Soviet Mirror”
- From the Archives
- Clara Steuermann: “Diaries”
- Contributors
Volume II, No. 3 (June 1978): Schoenberg as Artist
- Ellen Kravitz: Foreword: “Schoenberg as Artist”
- Eberhard Freitag: “German Expressionism and Schoenberg’s Self-Portraits”
- Georg Eisler: “Observations on Schoenberg as Painter”
- Halsey Stevens: “A Conversation with Schoenberg about Painting”
- Wassily Kandinsky: “The Paintings of Schoenberg”
- Lawrence Schoenberg and Ellen Kravitz: “Catalog of Schoenberg’s Paintings, Drawings and Sketches”
- Arnold Schoenberg: “Malerische Einflüsse”
- From the Archives
- Clara Steuermann: “Schoenberg at Play”
- Bibliography
- Anne Wirth: “Selected References on Arnold Schoenberg’s Art and Aesthetics”
- Announcement
Volume III, No. 1 (March 1979)
- Leonard Stein: Foreword: “Schoenberg’s Jewish Identity (A Chronology of Source Material)”
- Alexander Ringer: “Arnold Schoenberg and the Politics of Jewish Survival”
- Arnold Schoenberg: “A Four-Point Program for Jewry”
- Charles Heller: “Traditional Jewish Material from Schoenberg’s A Survivor from Warsaw, Op. 46”
- Donald Harris: “Ravel Visits the Verein”
- Reports
- Jan Maegaard: “Orchestrating Schoenberg’s Organ Variations”
- Bryan R. Simms: “A Report from the Joint Meeting of the AMS/SMT”
- Bibliography
- Mark Tauger: “Current Bibliography (1976-1978)”
- From the Archives
- Clara Steuermann: “Recorded Sound on Discs”
- Correspondence
- Chronicle
- Events at the Institute, 1978-79
- Contributors
Volume III, No. 2 (October 1979)
- Leonard Stein: Foreword
- Bryan R. Simms: “The Society for Private Musical Performances: Resources and Documents in Schoenberg’s Legacy”
- Max Bloch: “Viktor Ullmann: A Brief Biography and Appreciation”
- Reviews
- Claudio Spies: Theory of Harmony by Arnold Schoenberg
- Clara Steuermann: The Arnold Schoenberg-Hans Nachod Collection, edited by John A. Kimmey, Jr.
- Lawrence Morton: Anton von Webern: A Chronicle of His Life and Work by Hans Moldenhauer and Rosaleen Moldenhauer
- Jonathan M. Dunsby: Beyond Orpheus: Studies in Musical Structure by David Epstein
- From the Archives
- Clara Steuermann: “Schoenberg’s Library Catalogue”
- Reports
- Leonard Stein: “Stokowski and the Gurrelieder Fanfare: Further Correspondence”
- Maurice Zam: “How Schoenberg Came to UCLA”
- Correspondence
- Chronicle
- Events at the Institute, 1979-80
- Contributors
Volume IV, No. 1 (June 1980)
- In Memory of Rudolf Kolisch (1896-1978)
- Clara Steuermann: “Biography”
- Michael Steinberg: “Encomium”
- Rudolf Kolisch: “Schoenberg’s Sendung”
- Arnold Schoenberg: “About Rudolf Kolisch”
- Schoenberg and the English: A Symposium
- Arnold Whitall: “Schoenberg and the English: Notes for a Documentary”
- Michael Musgrave: “Schoenberg and Theory”
- Jonathan Dunsby: “Schoenberg on Cadence”
- Christopher W. Wintle: “Schoenberg’s Harmony: Theory and Practice”
- Opera and Theater
- John C. Crawford: “Die Glückliche Hand: Further Notes”
- Alexander L. Ringer: “Schoenberg, Weill, and Epic Theater”
- From the Archives
- Clara Steuermann: “Additions and Amplifications”
- Jerry McBride: “Teaching Materials in the Arnold Schoenberg Institute Archives”
- Correspondence
- Contributors
- Correction
- Announcement: Fifth International Arnold Schönberg Piano Competition
Volume IV, No. 2 (November 1980)
- Schoenberg and the Critics
- Leonard Stein: Foreword
- Walter B. Bailey: “Composer Versus Critic: The Schoenberg-Schmidt Polemic”
- Complete Edition
- Christian Martin Schmidt: “Neuentdeckte Skizzen zur Sonate für Orgel von Arnold Schönberg” / “Additional Sketches for Schoenberg’s Organ Sonata”
- From the Archives
- Clara Steuermann: “Visits Abroad”
- Walter B. Bailey: “Schoenberg’s Published Articles: A List of Titles, Sources and Translations”
- Review
- Pauline Alderman: Schoenberg Remembered: Diaries and Recollections by Dika Newlin
- Reports
- Joe Saltzman: “Schoenberg in Santa Fe”, “Schoenberg at La Scala, in Freiburg and Den Haag”
- Chronicle
- Concerts at the Institute, 1980-81
- Contributors
Volume V, No. 1 (June 1981)
- Hans Keller: “Schoenberg’s Return to Tonality”
- Charlotte E. Erwin and Bryan R. Simms: “Schoenberg’s Correspondence with Heinrich Schenker”
- Schoenberg’s Playing Cards
- Clara Steuermann: Introduction
- Nuria Schoenberg Nono: “The Role of Extra-Musical Pursuits in Arnold Schoenberg’s Creative Life”
- Arnold Schoenberg: “Napoleon Patience”
- From the Archives
- Clara Steuermann: “The Photograph Collection”, “Addenda to the Catalog of Schoenberg’s Paintings, Drawings and Sketches”, “Musikgraphische Werke: Visual Impressions by Joachim-Carl Friedrich of Compositions by Arnold Schoenberg”
- Jerry McBride: “Recorded Sound on Tape”
- Chronicle
- Concerts at the Institute, 1981-82
- Schoenberg Events
- Index to Volumes I-IV (1976-1980)
- Contributors
Volume V, No. 2 (November 1981)
- Leonard Stein: Foreword: “Tonal or Atonal?”
- Opus 11, Number 1: Two Points of View
- Allen Forte: “The Magical Kaleidoscope: Schoenberg’s First Atonal Masterwork, Opus 11, No. 1”
- Will Ogdon: “How Tonality Functions in Schoenberg’s Opus 11, No. 1”
- From the Archives
- Jerry McBride: “Schoenberg’s Annotated Handexemplare”
- Reminiscences
- Pauline Alderman: “Arnold Schoenberg at USC”
- Alan Wells: “Schoenberg’s Class at USC”
- Bibliography
- Diane Penney: “Current Bibliography (1978 - June 1981)”
- Contributors
Volume VI, No. 1 (June 1982)
- Berthold Türcke: “Felix Greissle (1894-1982)”
- Pamela C. White: “The Genesis of Moses und Aron”
- Walter B. Bailey: “Oscar Levant and the Program for Schoenberg’s Piano Concerto”
- Alexander L. Ringer: “Faith and Symbol--On Arnold Schoenberg’s Last Musical Utterance”
- Christoph von Blumröder: “Schoenberg and the Concept of the ‘New Music’”
- Robert Falck: “Emancipation of the Dissonance”
- From the Archives
- Jerry McBride: “The Photograph Collection”
- Discography
- Gordon Theil: “Recent Recordings of Schoenberg’s Music”
- Chronicle:
- Concerts at the Institute, 1982-1983
- “Max Bloch (1908-1982)”
- Contributors
Volume VI, No. 2 (November 1982): Schoenberg in the Netherlands
- Leonard Stein: Foreword
- Paul Op de Coul and Rutger Schoute: “Schoenberg in the Netherlands”
- Gene Carl: “The Willem Mengelberg Archives in The Hague”
- Berthold Türcke: “The Schoenberg-Mengelberg Correspondence”
- Matthijs Vermeulen: “Looking Back on Schoenberg”
- Piet Schilham: “The Hague Philharmonic: An Advocate of Schoenberg”
- Henk Guittart: “The Emergence and Development of the Schoenberg Ensemble”
- Jan van Vlijmen: “Why a Statue of Schoenberg?”
- Contributors
- “Max Deutsch: Teacher/Composer”
Volume VII, No. 1 (June 1983)
- Leonard Stein: Foreword
- Daniel M. Raessler: “Schoenberg and Busoni: Aspects of Their Relationship”
- Berthold Türcke: “The Mahler Society: A Project of Schoenberg and Mengelberg”
- Michael Eckert: “Luigi Dallapiccola on Arnold Schoenberg”
- Jo-Ann Reif: “Adrian Leverkühn, Arnold Schoenberg, Theodor Adorno: Theorists Real and Fictitious in Thomas Mann’s Doctor Faustus”
- From the Archives
- Jerry McBride: “Orchestral Transcriptions for the Society for Private Musical Performances”
- Chronicle
- Concerts at the Institute, Fall 1983
- Contributors
Volume VII, No. 2 (November 1983)
- Leonard Stein: Foreword: Report on the NEH Summer Session, Schoenberg Research Award
- Paul S. Hesselink: “Variations on a Recitative for Organ, Op. 40: Correspondence from the Schoenberg Legacy”
- Bonny Hough: “Schoenberg’s Herzgewächse and the Blaue Reiter Almanac”
- William G. Harbinson: “Rhythmic Structure in Schoenberg’s ‘Jane Grey’”
- From the Archives
- Jerry McBride: “Further Schoenberg Correspondence”
- Berthold Türcke: “Gurrelieder and Orchestra Pieces, Op. 16 for Two Pianos: A Rediscovery of Reductions by Schoenberg/Webern and Erwin Stein”
- Leonard Stein: “Gerald Strang (1908-1983)”, “Pauline Alderman (1893-1983)”
- Chronicle
- Concerts at the Institute, Spring 1984
- Contributors
Volume VIII, No. 1 (June 1984)
- Leonard Stein: Foreword: “Schoenberg’s Pupils”
- Rosemary Hilmar: “Alban Berg’s Studies with Schoenberg”
- From the Archives
- Jerry McBride: “Dem Lehrer Arnold Schoenberg”
- Pamela C. White: “Schoenberg and Schopenhauer”
- Richard Hoffmann, Leonard Stein: “Reminiscences: A Schoenberg Centennial Symposium at Oberlin College”
- Review
- Ethan Haimo: Brahms and the Principle of Developing Variation by Walter Frisch
- David Hush: “Supplement: Modes of Continuity in Schoenberg’s Begleitungsmusik, Op. 34”
- Chronicle
- Concerts at the Institute 1984-85
- Contributors
Volume VIII, No. 2 (November 1984)
- Susan Youens: “Excavating an Allegory: The Texts of Pierrot Lunaire”
- Jan Gilbert: “Schoenberg’s Harmonic Visions: A Study of Text Painting in ‘Die Kreuze’”
- Harald Krebs: “Three Versions of Schoenberg’s Op. 15 No. 14: Obvious Differences and Hidden Similarities”
- Ethan Haimo: “Editing Schoenberg’s Twelve-Tone Music”
- Judith Meibach: “The Society for Musical Private Performances: Antecedents and Foundation”
- Contributors
Volume IX, No. 1 (June 1986): Schönberg Tagebücher / Schoenberg’s Diaries, 1912, 1914, 1923
- Jerry McBride: Foreword
- Anita Luginbühl: “Attempt at a Diary by Arnold Schoenberg”
- Paul A Pisk: “War-Clouds Diary by Arnold Schoenberg”
- Jerry McBride and Anita Luginbühl: “1923 Diary by Arnold Schoenberg”
- Bibliography
- Joan D. Kunselman: “Current Bibliography (July, 1981-1984)”
- Discography
- Gordon Theil: “Recent Recordings of Schoenberg’s Music”
- Journal of the Arnold Schoenberg Institute, Series I, Index to Volumes I-VIII (1976-1984)
- Chronicle
- Concerts at the Institute 1985-86
- Contributors
Volume IX, No. 2 (November 1986)
- Walter Frisch: “Schoenberg and the Poetry of Richard Dehmel”
- Thomas McGeary: “The Publishing History of Style and Idea”
- Michael Cherlin: “Schoenberg’s Representation of the Divine in Moses und Aron”
- David Schiff : “Jewish and Musical Tradition in the Music of Mahler and Schoenberg”
- Martina Sichardt: “In Search of a Lost Manuscript”
- E. Randol Schoenberg: “Alban Berg-Arnold Schoenberg Exhibit at the Arnold Schoenberg Institute, August-December 1985, in Honor of the Alban Berg Centennial”
- Contributors
Volume X, No. 1 (June 1987)
- David Hamilton: “From Pierrot to Marteau, March 14-16, 1987”
- Reinhold Brinkmann: “What the Sources Tell Us... A Chapter of Pierrot Philology”
- R. John Specht: “Schoenberg Among the Workers”
- Thomas Christensen: “Schoenberg’s Opus 11 No. 1: A Parody of Pitch Cells from Tristan”
- David Lewin: “On the ‘Ninth-Chord in Fourth Inversion’ from Verklärte Nacht”
- From the Archives
- R. Wayne Shoaf: “The Felix Greissle Collection”
- Heidi Lesemann: “Henk Guittart”
- Leonard Stein: “Lawrence Morton (1904-1987)”
- Contributors
Volume X, No. 2 (November 1987)
- Bryan Simms: “Who First Composed Twelve-Tone Music, Schoenberg or Hauer?”
- E. Randol Schoenberg: “Arnold Schoenberg and Albert Einstein: Their Relationship and Views on Zionism”
- From the Archives
- R. Wayne Shoaf: “Acquisitions of Early Manuscripts”
- Chronicle
- Events at the Arnold Schoenberg Institute, January-April, 1988
- Contributors
- Errata
Volume XI, No. 1 (June 1988)
- Alan P. Lessem: “Teaching Americans Music: Some Émigré Composer Viewpoints, ca. 1930-1955”
- Harald Krebs: “Schoenberg’s ‘Liebeslied’: An Early Example of Serial Writing”
- Paul Johnson: “Rhythm and Set Choice in Schoenberg’s Piano Concerto”
- Ethan Haimo: Schoenberg’s Unknown Twelve-Tone Fragments
- Christopher Hailey and Juliane Brand: “Catalogue of the Correspondence between Alban Berg and Arnold Schoenberg”
- Contributors
Volume XI, No. 2 (November 1988): Schoenberg in Chautauqua, Summer 1934
- Pierre Boulez: “The Composer and Creativity”
- Harald Krebs: “New Light on the Source Materials of Schoenberg’s Die Glückliche Hand”
- Chautauqua
- Christopher Gibbs: “Schoenberg in Chautauqua”
- Dorothea Kelley: “Arnold Schoenberg’s Sixtieth Birthday in Chautauqua”
- Martin Bernstein: “On the Genesis of Schoenberg’s Suite for School Orchestra”
- Joan Evans: “New Light on the First Performances of Schoenberg’s Opera 34 and 35”
- Phillip Lehrman: “A Schoenberg Note about Prokofiev, Shostakovich, Stravinsky and Koussevitzky”
- Reviews:
- Walter Frisch: Streichquartette I by Arnold Schoenberg
- Alan Lessem: Early Songs by Arnold Schoenberg
- Leonard Stein: “Hans Heinz Stuckenschmidt”
- Chronicle
- Musical Events at the Arnold Schoenberg Institute, Fall 1988 to Spring 1989
- Contributors
Volume XII, No. 1 (June 1989)
- Cornelius Schnauber: “Perception and Apperception of Dissonances in Twelve-Tone Music”
- Robert Fleisher: “Dualism in the Music of Arnold Schoenberg”
- Dorothy Crawford: “Interview with Eugene Lehrer”
- Harald Krebs: “The ‘Color Crescendo’ from Die Glückliche Hand: A Comparison of Sketch and Final Version”
- David H. Smyth: “Schoenberg and Dial Records: The Composer’s Correspondence with Ross Russell”
- Review:
- Walter B. Bailey: “‘Filling in the Gaps’: Jean and Jesper Christensen’s From Arnold Schoenberg’s Literary Legacy: A Catalog of Neglected Items”
- In process...
- Contributors
Volume XII, No. 2 (November 1989)
- Joseph Auner: “Schoenberg’s Aesthetic Transformations and the Evolution of Form in Die glückliche Hand”
- Further Berg-Schoenberg Correspondence: The Twelve Lost Berg Letters
- E. Randol Schoenberg: Foreword
- Juliane Brand and Christopher Hailey: “Translators’ Note; Transcriptions, Translations, and Annotations”
- Dorothy L. Crawford: “Peter Yates and the Performance of Schoenberg Chamber Music at ‘Evenings on the Roof’”
- From the Archives
- Susan L. Sloan: “Archival Exhibit: Schoenberg’s Dodecaphonic Devices”
- George J. Skapski: “Paul Amadeus Pisk Remembered”
- Chronicle
- Musical Events at the Arnold Schoenberg Institute, September 1989 to April 1990
- Contributors
Volume XIII, No. 1 (June 1990)
- David Neumeyer and Giselher Schubert: “Arnold Schoenberg and Paul Hindemith”
- Andrea Olmstead: “The Correspondence between Arnold Schoenberg and Roger Sessions”
- Walter B. Bailey: “The Chamber-Ensemble Arrangements of the Orchestra Songs, Opus 8: Realizing Schoenberg’s Instructions to His Students”
- From the Archives
- R. Wayne Shoaf: “Discography of Schoenberg Compact-Discs: 1984-1990”
- Index to Volumes I-XII (1976-1989)
- Contributors
Volume XIII, No. 2 (November 1990)
- Lovina May Knight: “Classes with Schoenberg January through June 1934”
- From the Archives
- R. Wayne Shoaf: “The Schoenberg-Malkin Correspondence”
- Report
- Bryan R. Simms: “A Schoenberg Symposium in Victoria”
- Contributors
Volume XIV, No. 1 (June 1991)
- Heidi Lesemann: “Leonard Stein: A Dedication”
- Tributes to Leonard Stein
- Juliane Brand: “Chronology: Arnold Schoenberg Institute Events, 1974-1992”
- Index of Composers and Compositions
- Index of Performers and Speakers
- From the Archives
- R. Wayne Shoaf: “Exhibits: Arnold Schoenberg Institute, 1977-1982”
- David M. Bishop: “Schoenberg’s Concerto for Piano and Orchestra, op. 42: A Reexamination of the Evolution of the Series in the Sketches”
- Contributors
Volume XIV, No.2 (November 1991)
- Juliane Brand: “Of Authorship and Partnership: The Libretto of Von heute auf morgen”, “A Short History of Von heute auf morgen with Letters and Documents”
- Stephen Davison: “Of its Time or Out of Step? Schoenberg’s Zeitoper, Von heute auf morgen”
- Report
- Michael L. Friedmann: “A Schoenberg Conference in New York”
- Review
- Douglass M. Green: The Berg Companion, edited by Douglas Jarman
- Contributors
Volume XV, No. 1 (June 1992): Satellite Collections
- Paul Zukofsky: Letter from the Editor
- From the Archives
- R. Wayne Shoaf: “Satellite Collections in the Archive”
- Bibliography
- Jerry McBride: “Bibliography 1985-1990”
- Paul Zukofsky: “Schoenberg for Performers: the Prequel”
- Claudio Spies: Keynote Speech, Schoenberg Conference, New York, 5 October 1991
- Rudolf Stephan: “A Response to Claudio Spies”
- Claudio Spies: “A Response to Rudolf Stephan”
- Contributors
Volume XV, No. 2 (November 1992): Schoenberg’s Brahms Lecture
- Thomas McGeary: “Schoenberg’s Brahms Lecture of 1933”
- Arnold Schoenberg, translated by Thomas McGeary (both German and English versions given): “Vortrag, zu halten in Frankfurt am Main am 12.II.1933”
- Thomas McGeary:
- Appendix I: Summary of Surviving Manuscripts
- Appendix II: The Prinz-Eugen Lied
- Appendix III: Comparison of Musical Examples
- Appendix IV: Classification of Musical Examples
- Bibliography
- Jerry McBride: “Bibliography 1991-1992”
- Contributors
Volume XVI, Nos. 1 & 2 (June & November 1993): The Berg Guides
- Paul Zukofsky: Letter from the Editor
- Mark DeVoto: “General Remarks”, “General Glossary”
- Alban Berg, translated by Mark DeVoto (both German and English versions given):
- “Gurrelieder Guide”, Historical Note
- “Chamber Symphony Guide”, Glossary
- “Pelleas and Melisande Guide”, Glossary
- ?Heinrich Jalowetz and ?Alexander Zemlinsky, translated by Mark DeVoto (both German and English versions given):
- “Arnold Schoenberg’s F# minor Quartet: a technical analysis”
- Glossary
- From the Archives
- R. Wayne Shoaf: “Variant Printings of the Berg Guides”
- Contributors
- Supporters - 1993
Volume XVII, Nos. 1 & 2 (June & November 1994): Der biblische Weg
- Paul Zukofsky: Letter from the Editor
- List of Illustrations
- Moshe Lazar: “Arnold Schoenberg and His Doubles: A Psychodramatic Journey to His Roots”, “Notes”, “Bibliography”
- From the Archives
- R. Wayne Shoaf: “Der biblische Weg: Principal and Related Manuscript Sources”
- Arnold Schoenberg, translated by Moshe Lazar (both German and English versions given):
- Der biblische Weg / The Biblical Way
- Appendices
- Contributors
- Supporters - 1994
Volume XVIII, Nos. 1 & 2 (June & November 1995) - Volume XIX, Nos. 1 & 2 (June & November 1996): Preliminary Inventory of Schoenberg Correspondence
- Paul Zukofsky: Letter from the Editor
- Paul Zukofsky: “Preamble: a Call for Enemies”
- R. Wayne Shoaf: Introduction
- Paul Zukofsky, R. Wayne Shoaf, Stephen Davison, Marilyn McCoy, Camille Crittenden, Jacob Vonk: “A Preliminary Inventory”
- Index
- Appendices
- A. Schoenberg’s Addresses
- B. City Codes
- C. Siglia
- D. Bibliography
- Claudio Spies: “Schoenberg’s Influence on Composing in America”
- Addendum
- Steven J. Cahn: Letter to the Editor
- Contributors