Film Review

'Anaconda' is so bad it's entertaining

By David Friede
Staff Writer

Naturally, whenever you pay to see a movie, it's always nice to be able to see a good, well-crafted film. However, this is rarely the case. So when it comes to bad movies, there are basically two major categories. There are films that are simply bad and horrible--these are the ones that cause you to leave the theater feeling terribly cheated.
     However, there are also those special films that are so bad that they are unintentionally hilarious. That kind of bad movie is certainly the lesser of the two evils, because you at least leave the theater knowing that you got your money's worth of pure entertainment. Fortunately, the new epic "Anaconda" falls neatly into the latter category.
     The film is a singular experience--absolutely incompetent, totally ludicrous, terrible in every respect, yet it is still the most entertaining thing to hit theaters in a while. Of course, there is always an inherent dilemma when discussing films so gleefully terrible as this; you could drive yourself mad trying to figure out whether the film is terrible by accident, or whether it is knowingly campy.
     To unravel this mystery about "Anaconda," one must take a good look at the man behind the mayhem--Peruvian director Luis Llosa.
     When examining Llosa's track record, it becomes all too clear that this film's incompetence was not intentional, as Llosa's past two films--"Sniper" and "The Specialist"--rank among the most incompetent in recent history. Both of these films are hilarious, but they don't work at all as movies. This is because in tone, both films are serious and brooding, causing the technical imperfections to clash strongly with the subject matter.
     On the other hand, "Anaconda"--awful as it may be--does indeed work as a whole. This is due solely to the fact that the film is high camp at its very core, and its incompetence only helps to augment and improve this tone.
     Now, the question is whether the film's effectiveness is merely a fluke or whether Llosa finally realized that his limited talents are better suited to this arena. I figure that it had to have been a happy accident, as the man is obviously clueless. It is completely mind-boggling that in this day and age, film producers are shelling out millions of dollars for screenplays as bad as this, then deciding to put Luis Llosa at the helm. This is not entirely bad, though, as it gives the film instant, unintentional humor.
     In fact, the only thing funnier than Llosa's brain-dead direction is the noteworthy performance of a certain Jon Voight. Watching him in this film, it is hard to imagine that he has an Oscar under his belt and the reputation to match. Quite frankly, this is an instantly-quotable performance without rival, and the film should be seen, if nothing else, just to watch the man at work. Voight walks through the entire film with a particularly goofy grimace plastered on his face, spouting out horrible dialogue in an equally goofy Tony Montana accent. Llosa uses Voight's grimace as a character unto itself, frequently cutting back to it for no apparent reason.
     As for the other actors, they are justifiably blown off the screen by Voight's antics. Jennifer Lopez obviously gave her role her very best, but unfortunately, she obviously didn't get the joke like everyone else. She acts her heart out in the film, but I couldn't help but feel a little embarrassed for her, given the context of her performance.
     Unfortunately, the ever-great Ice Cube is woefully under-used, and Eric Stoltz sleeps through his role--literally. But we can't forget the real star of "Anaconda"--the snake.
     Basically, there are two versions of the snake--a computer-generated one and an animatronic one. What is truly amazing is that not only do the two versions of the snake not match up at all on screen, but they are both truly terrible in their own right. However, the fact that the effects are so horrible only makes the film even funnier.
     Overall, films like "Anaconda" are difficult for any reviewer, because there is the question of whether you should grade it on quality or entertainment value. Well, this film certainly delivers the goods and, based on various reports, audiences around the country are getting the joke, which is only good news for the film's word-of-mouth. So if you are a pretentious film student, avoid "Anaconda" like the plague. However, if you have sense of humor and are willing to accept a film for what it is, this one will not disappoint. And remember--the next best thing to a good film is a funny one. B



"Anaconda" is now playing nationwide.


Copyright 1997 by the Daily Trojan. All rights reserved.
This article was published in Vol. 130, No. 57 (Monday, April 14, 1997), beginning on page 7 and ending on page 9.