Sound Bites
Mr. E's depression is a welcome sound
Eels have become
known as the band for the clinically depressed and suicidal. It just
doesn't get any bleaker than 1998's Electro-shock Blues, one of the
saddest albums ever. Fortunately, it's gotten a little bit sunnier for
eels, as the name of the duo's third album, Daisies of the Galaxy,
indicates. But don't expect to hear anything perky or peppy.
Daisies of
the Galaxy is a bit more accessible than eels' previous efforts, as
singer-songwriter E smooths out the edges of eels' trademark fractured pop.
He abandons the experimentation of Electro-shock Blues for more
straightforward arrangements. The presence of REM guitarist Peter Buck
playing piano and Grant Lee Phillips filling in on bass for most of
Daisies' tracks gives the album a poppier sound.
E shows that he
has a sense of humor by including the album's excellent first single, "Mr.
E's Beautiful Blues," as an unlisted bonus track at the end of Daisies
of the Galaxy. E even includes a pair of pseudo-love songs with "Wooden
Nickels" and "Jeannie's Diary," in which he croons She's got a dark
side too / Even murderous / But I love that just like I love her.
Hardly the stuff of amorous love letters, but as close to a cheery love
song as eels will ever get.
E also pays
tribute to the ubiquitous eatery Hot Dog on a Stick and the former queen
of Monaco on "Grace Kelly Blues."
The best track
on Daisies of the Galaxy is the Danny Elfman-esque "Flyswatter,"
which uses a xylophone loop to create a creepy effect that pervades the
whole song.
Eels is one of
the most challenging groups to listen to, but the effort is worth it with
Daisies of the Galaxy.
- Mike Dutra
| Music Editor
Yup, here
comes another boy band. The German foursome, First Love, looks to hop on
into the American music scene with its self-titled debut album. But don't
get too excited - there is nothing on this album that the listeners haven't
heard before.
The album
includes typical dance tracks like "Freaky" and love ballads like, "Smile."
"Yippee Yi Yo" and "Perfect Boyfriend" are songs that would make even
prepubescent girls laugh.
"I Just Can't
Enough" and "Stay Another Day" are the only songs that are even remotely
close to being likeable. Both have somewhat catchy tunes, but again, they
are nothing new. In general, the songs on this album are emotionless and
have no soul to them. And on some of the songs, the boys sing off key or
harmonize discordantly and irritate the listeners.
First Love
should at least find the decency to learn how to sing before setting out to
pursue a career as musicians. Their lack of talent places them at the very
bottom of the boy band hierarchy. Their debut albumneeds major repairs and
overall, is just one big mess.
- Nikki Hong
| Staff Writer
When an
artist is made famous by a series of television commercials, in this case
Levi's ads, an instant "sellout" label is usually associated with that
artist.
However, in Mr.
Oizo's case, who cares? Mr. Oizo, a.k.a. Quentin Dupieux, and Flat Eric,
his head-banging hand puppet who was the star of the advertisements and who
is featured on the video for "Flat beat," have conjured themselves an album
flooded with dirty beats, funky rhythms and speaker-blowing bass. Mr.
Oizo's first full-length album, Analog Worms Attack, is techno
simplicity at its best. The tracks, most of which are only a few minutes
long, are sparse and made up of simple synth beats over a bassline with a
few samples thrown in here and there.
The track that
made Mr. Oizo known to the jeans-wearing public, "Flat Beat," is the
definite highlight of the album. Offbeat bass samples over a simple bass
beat drive the song and one can't help but bop along. This formula is used
throughout the album, and, for the most part, it works. Mr. Oizo's sense of
humor spices up the mix enough to warrant more than one listen to the
minimalistic songs. However, a few tracks become cumbersome and quickly,
such as "Inside the Kidney Machine" and "Bobby Can't Dance." Both tracks
feature slow beats and boring samples.
If it weren't
for the lighthearted attitude Mr. Oizo takes with his music, Analog
Worms Attack would be a total failure. Analog Worms may not be
the most ingenious of albums, but if one just wants to bop along to some of
the dirtiest bass beats ever put on tape, then Flat Eric is the puppet to
dance along with.
- Ian Young |
Diversions Editor
Copyright 2000 by the Daily Trojan. All rights reserved.
This article was published in Vol. 139, No. 41 (Wednesday, March 22, 2000), on page 8.