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Gamble House Celebrates Its Centennial

10/08/08
The National Historic Landmark residence in Pasadena defines Craftsman style.
By Suzanne Wu
A full-day conference about the Gamble House will be held at the Huntington Library in San Marino Nov. 8.

Photo/Tim Street-Porter
Built a century ago for heirs to the Procter & Gamble fortune, the Gamble House came to exemplify California bungalow style and the Arts and Crafts Movement in America.

Completed in 1908 and occupied in 1909, the Gamble House today is an icon of Craftsman architecture. Deeded to the City of Pasadena in a joint agreement with the USC School of Architecture in 1966, the house is open to the public and welcomes approximately 30,000 visitors every year.

In the 2008-09 academic year, a series of exhibitions in Southern California and around the country – timed to coincide with the 100th anniversary of the landmark residence – will celebrate the Gamble House and its architects Greene & Greene.

On Saturday, the exhibition “A New and Native Beauty: The Art and Craft of Greene & Greene” will open at the Huntington Library in San Marino, before traveling in 2009 to the Smithsonian American Art Museum’s Renwick Gallery in Washington D.C., and the Museum of Fine Arts in Boston. “A New and Native Beauty” is the first major exhibition of the work of Greene & Greene on the East Coast.

In addition, both the Pasadena Museum of California Art and the Pasadena Museum of History have exhibitions during the centennial year about the work of Greene & Greene.

Part of a large migration of wealthy patricians who wintered in Southern California or sought dry air to combat the effects of tuberculosis, David and Mary Gamble commissioned the Gamble House in a then-unfashionable part of town from brothers Charles and Henry Greene, themselves transplants from the Midwest.

Today a protected National Historic Landmark, the Gamble House has been called the “ultimate bungalow” and contains all of the original furniture and fixtures designed for it by Greene & Greene. Painstakingly hand-finished natural materials, organic shapes and Asian motifs complement scenic views of the outdoors throughout the home, which features more than 10 types of wood.

During an extensive exterior conservation effort in 2004, rot and diseased wood in the exterior beams and 262 Douglas fir rafter tails were removed using handheld instruments such as dental tools.

The house was almost sold in the 1940s, until Louise Gibbs Gamble chanced to overhear a prospective buyer talk about painting the interior wood white. The house was taken off the market.

For more information about the 100th anniversary celebration of the Gamble House – including a full-day conference at the Huntington Nov. 8 – visit http://www.gamblehouse.org/centennial. The full-day conference is preceded by an evening plenary lecture by Rosalind Blakesley of Cambridge University Nov. 7.

Also at the Huntington Library, Edward R. Bosley, director of the Gamble House and co-curator of “A New and Native Beauty,” will present the lecture “Greene & Greene: An Arts and Crafts Conundrum” Nov. 19.